Anita Rocha da Silveira’s MedusaBy Laura Valenza
This film is a nightmarish tripthough ultimately empoweringtouring the myriad ways in which women keep each other down. Medusa (which opened in New York and LA on July 29th) is the next feminist cult classic following the legacy of films like Promising Young Woman (2020) and The Witch (2015).
Khavn De La Cruz with Joshua BogatinBy Joshua Bogatin
Khavn, whose films are abrasive collages of confrontational energy, belongs to a rare category of filmmaker who demands as much attention to the breadth of his output as to the qualities of his individual works.
Gregory Markopoulos’s Eniaios at the TemenosBy Del O’Brien
Theorized by Gregory Markopoulos as an ideal setting for screening his eighty hour film, devoted cinephiles schlep to the mountains of Greece for the aesthetic experience of screening Eniaios at the Temenos.
Andrew Semans’s ResurrectionBy Nolan Kelly
Semanss Resurrection (2022) is a genre flick that grapples with the power of trauma as a tool of manipulation and a destroyer of credibility.