An artist and her friend are helping install an exhibition of experimental works on an abandoned Lower West Side pier. The women involved in the show are working hard, but the artists whose projects are being shown are all men. It’s the early 1970s. Walking home at night through the empty streets of Downtown Manhattan the two friends feel safer making loud noises, singing off-key and generally pretending to be crazy. One night they find themselves improvising bird sounds based on the first name of the organizer of the exhibition. This impromptu performance develops into a sound piece titled Birdcalls where the artist utters the surnames of 28 male artists in a variety of bird-like noises.
(Louise Lawler, Martha Kite)