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Part theoretical manifesto and part practical guide, the book advances an emerging approach to architecture that offers a radical corrective. Robinsonherself an architect who practices in Pavia, Italydraws on an enormous range of scholarship to support her thesis.
Barry Windsor-Smiths Monsters is his first attempt at a complete comics story since his Storyteller series for Dark Horse Comics abruptly ended its run in the ninth issue in 1997 and the publication of a reworked X-Men story titled Adastra in Africa in 1999.
The collection you hold in your hands, Minor Characters, will expand upon this overall picture. Now many of the characters in Charlies orbit will get their turn to stand in the center of the stage, will get their 15 minutes.
Such wounds fester everywhere in The Committed, Viet Thanh Nguyens more-than-worthy successor to his Pulitzer winner, The Sympathizer, the second text in a promised trilogy. In this middle passage, the author picks so assiduously at the scabs of racism and usury, you could also call it a novel of ideas.
Josiah Thompsons Last Second in Dallas is not only a revelatory forensic analysis of the Kennedy assassination, but it is also a troubling and timely book about state science, confirmation bias, and a man by the name of Dr. Luis Alvarez.
A Real Slut in the Making: Melissa Febos’s Girlhood Through the Lens of Silvia Federici's Witches, Witch-Hunting, and WomenBy Corinne Manning
As female friendship was one of the targets of the witch-hunt (daughters turned in their own mothers), Girlhood rests as a document of how that division has been sufficiently accepted and normalized. However, Girlhood in its form reasserts what has been taken from women and all people: what Federici refers to as the multicultural role of women as weavers of memory.
Brotes is certainly personal: fragments of text and snapshots in the midst of a moment of great individual and social uncertainty. The book offers a possibility for connection in a context marked by distance and isolation, and opens an opportunity to experience this moment collectively, sharing the intimacy and the vulnerability that Alexandra describes through her words and her looking upwards towards the sky and the trees in spring.
This sense of bewilderment, of a past that is both accessible and impossible to decipher, is the real subject of Maria Stepanovas In Memory of Memory, translated from the Russian by Sasha Dugdale. Its ostensible subject is her own genealogy, going back through four generations of Russian Jews, which is presented to the reader like a cadaver on a tableall parts intricately connected and covered in film, both sticky and slippery to the touch. Stepanova is less interested in holding these parts up to the light than she is in recording her horror at the death of her history, its inability to speak for itself, and the plethora of morbidities which could inform its cause of death.
For all our reminiscing, Murakami seems to say, its the things we dont remember that might haunt us the most. After all, memory is itself another liminal space, one where we experience both now and then at the same time. Likewise, finishing First Person Singluar requires thinking back to everything weve just read about these characters lives, and to everything we didnt.
In her debut, a memoir, Jones catalogues family violence as a part of her remembering; violence becomes a framework and connecting thread for the 13 vignettes that explore her own, her familys, and her hometown, Myrtle Beachs troubled and collective past.
Frangello's books deal broadly with loyalty, sex, betrayal, interpersonal relationships, and the expectations placed on women in particular. Her latest work, the memoir-in-essays Blow Your House Down: A Story of Feminism, Family, and Treason (Counterpoint, 2021) offers an astonishingly forthright account of the darkest fallouts of attraction and dissolution.