Editor’s Note

This month, we bring you two works that explore the isolating effects of grief.

In her short story “To the Sea,” Sharon Adarlo uses magical realism to explore the way a tragic event can change us. The protagonist at the center is so consumed by her grief after the death of her child that she must endure a kind of supernatural growth to overcome it.

Beatriz Bracher structures novels—Antonio is the second of her four novels to be translated into English and published by New Directions—around the peculiarities of narrative: uncertain recollections, overlooked characters, and crucial details hidden in plain sight. This novel’s central character, Benjamim, father to the titular Antonio, seeks the details of his own father’s life. But rather than follow Benjamim on the case, we're reading the fragments he collects. As readers, we’re substitute-detectives sorting through the accounts of three narrators and pinning our own red thread to the evidence.