Which version counts as the truth? That dangerous term? Plainly, Azar would answer both, arguing that the Old Gods still hold value, “still alive and reacting,” even as she recognizes how “mysticism didn’t offer any simple solutions to murder, plunder, poverty, or human injustice.”
“I want language to approximate the kind of conversation one might have some evening, talking about real things, serious things, but not feeling especially dire, and the talking is happening just as ones thinking about it, so that the thought and the expression of the thought are happening simultaneously.”
Ive always had exposure to the farm and to farmers. Theyve always been part of my life. I never thought of the farm as a project until maybe 15 years ago, when I was sitting in the Quonset hut with my family, and the farmers were coming in and out, and I thought, wow, nobody writes about this.
I rely almost entirely on the thin veil of the speaker or the artist to protect me from the hazard of disclosure. Its what allows me to, for instance, stand in front of my mother and read a poem in which the speaker chokes on someone's hair while getting throatfucked.
There is a complex grace to The Glass Hotel thats often lacking from contemporary fiction, particularly contemporary thriller fiction. Its not simply Mandels deft prose, her ability to write Dickensian networks of coincidence, but her keen observation of human behavior: our fears, our dreams, what drives us, and what might ultimately destroy or save each of us.
Using his sharpened tools of literary criticism and theory, Pardini works through novels, movies, and music and shows how, in the days before the (still incomplete) assimilation of Italian Americans into white culture, a constellation of writers, intellectuals, musicians, and activists in both communities found rewarding interpenetrations of their constructed identities.
Disgusted with the technical jargon of economists, the ups and downs of the economy, and its forces [that] make a mockery of our democracies; his purpose was to explain the functioning of the capitalist economy to his daughter in a logical common sense, critical approach and pose the possibility of making the world a better place.
These 10 stories focus on a variety of unrelated characters grappling with loss, violence, sexual jealousy, and the terrible ways technology can be wielded in a data-dependent world.