FEB 2020

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Publisher's Message

Dear Friends and Readers,
– By Phong Bui

Editor's Message

The Death Issue
– By Alvin Hall

Art

ArtSeen

Merlin Carpenter: Paint-it-Yourself
– By Barbara A. MacAdam
9th St. Club
– By Chloe Stavrou
Melissa McGill RED REGATTA: riflessi
– By Mengna Da
Lucas Samaras: Me, Myself and …
– By Phillip Griffith
Sally J. Han: Foreplay
– By Everett Narciso
Catherine Telford Keogh: Nervous System
– By Blake Oetting
Joris-Karl Huysmans Art Critic
– By William Corwin
Nina Hartmann: FOGBANK
– By Nicholas Heskes
Josephine Halvorson: On the Ground
– By Alfred Mac Adam
Alma Allen
– By Jonathan Goodman
Teresa Margolles: El asesinato cambia el mundo / Assassination changes the world
– By Susan Breyer
Noah Davis
– By Jessica Holmes
Hannah Levy: Pendulous Picnic
– By Nina Wolpow
Robert Grosvenor
– By William Whitney
Tiffany Jaeyeon Shin: Microbial Speculations on Our Gut Feelings
– By Simon Wu
CONDO London 2020
– By Bartolomeo Sala
Doreen Garner:The Remains
– By Amber Jamilla Musser
Dan Walsh
– By David Rhodes
Acquired on eBay (and from other surrogate sources)
– By David Carrier
Becca Albee
– By Hồng-Ân Trương
Madeline Hollander: Heads/Tails
– By Madeleine Seidel
Luis Camnitzer: Towards an Aesthetic of Imbalance
– By Lyle Rexer
Jackie Saccoccio: Femme Brut
– By Barbara A. MacAdam
Michael Rakowitz: The invisible enemy should not exist
– By Amanda Gluibizzi
Ken Grimes: Alien Variations
– By Lyle Rexer
JR: Chronicles
– By Hovey Brock
Marlene McCarty: Into the Weeds
– By Marie Catalano
Max Ernst Collages
– By Mary Ann Caws
A Wonder to Behold: Craftsmanship and the Creation of Babylon's Ishtar Gate
– By Ann McCoy
Fiona Tan: Archive / Ruins
– By Will Fenstermaker
David Reed: New Paintings
– By Charlotte Kent
Kent Monkman: mistikôsiwak (Wooden Boat People)
– By Ann C. Collins
Specific Forms
– By Mary Ann Caws
Taking Shape: Abstraction from the Arab World, 1950s–1980s
– By Sahar Khraibani
Zilia Sánchez
– By Tausif Noor
Lynda Benglis: In the Realm of the Senses
– By Daniel Pateman
Graham Lambkin
– By Zeny May Recidoro
Susan Rothenberg
– By Alfred Mac Adam
Pat Steir: Color Wheel
– By Susan Harris
The Life and Times of Alvin Baltrop
– By Francesco Gagliardi
Hock E Aye Vi Edgar Heap of Birds: Standing Rock Awakens the World
– By Susan Harris
Charles Burchfield: Solitude
– By Alfred Mac Adam
Artist's Choice: Amy Sillman—The Shape of Shape
– By Cynthia Cruz
George W. Bush: Portraits of Courage
– By Gaby Collins-Fernandez
Jesse Chun and Tiffany Jaeyeon Shin: stain begins to absorb the material spilled on
– By Diana Seo Hyung Lee
Souls Grown Diaspora
– By Ksenia Soboleva

Critics Page

A Dying Fall
– By Fraser Brough
Ride or Die
– By Jonathan Calm
End of the Line
– By Dan Cameron
Pushing through a Public Memorial
– By Natasha Becker
Pentimenti
– By Wardell Milan
“I am as you shall be”
– By Stephen Perkinson
La Petite Mort
– By Nico Wheadon

Fiction

Seventh Letter to Uncle Sam
– by Saadat Hasan Manto, translated from the Urdu by Matt Reeck and Aftab Ahman
A Civilized Cemetery
– by Saadat Hasan Manto, translated from the Urdu by Matt Reeck and Aftab Ahman
Miss Tinman
– by Saadat Hasan Manto, translated from the Urdu by Matt Reeck and Aftab Ahman
Miss Mala
– by Saadat Hasan Manto, translated from the Urdu by Matt Reeck and Aftab Ahman
Comfort
– by Saadat Hasan Manto, translated from the Urdu by Matt Reeck and Aftab Ahmad
The Silent (Silenced) Gap: Reading the Urdu Gothic through Foucault
– By Matt Reeck
Adeel’s Journey
– by Julien Columeau, translated from the Urdu by Matt Reeck
The Road to Golgonooza
– By T. Motley, Eno Emu, Art Schmart, and Sylvester Fordyce
inSerial: part fourteen The Mysteries of Paris
– By Eugène Sue, translated from French by Robert Bononno