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Music of Harry Partch, Vol. 3: Sonata Dementia, Bridge Records (2019)

Beyond the accuracy of the playing, the fidelity of the recording, and the delight of hearing Partch himself interpret a rare work, the album demonstrates how Partch’s music and legacy have persisted and changed in the 45 years since his death.

Artonov, Brussels, Belgium, 7th-13th October 2019

Artonov is a young festival, only in its fifth edition. Its central concept involves risk, with a strategy of marrying art forms that would most often be separated. Even if a pair of disciplines might have an established relationship, it’s unusual for three or four vocabularies to be actively intertwined in one ‘happening’—music, dance, painting, storytelling, photography, costume design, even culinary adventure.

In Conversation

BRYAN A. CRUMPLER with Jean Huets

Wind instruments tend to be slighted as solo instruments in classical repertoire; violin, piano, and cello more often take center stage. Bryan A. Crumpler’s clarinet playing would make you wish things were otherwise. His technical command of the instrument allows both intellect and emotion to sing; his sensitive and informed performances deliver composers' ideas and yearnings, sorrow, rage, and joy right into the spirit of the listener.

Goldberg Variations

Choreographer Trisha Brown once said of the artist Robert Rauschenberg, “[He] arrives fresh at the scene of the accident he’s about to create.” I ran that line by composer and clarinetist Ben Goldberg recently, because it reminded me of his approach.

Highly Selective Listings

Highly Selective Listings

Live performances around the city this month


NOV 2019

All Issues