In June of 2016, Ben Lerner published a short story in the New Yorker about an artist who, on the eve of a big opening, loses two paintings in the back of an Uber. Lerners story was largely based on Polish painter Anna Ostoya, a real-life friend of the authors who experienced this while finalizing an exhibition at Bortolami Gallery earlier that spring.
At the midpoint of R. Crumbs Dream Diary, a new book by legendary cartoonist Robert Crumb, the artist details a dream he once endured called Dream of Huge Woman in Thigh-High Boots, in which he lusts after an overweight and incredibly tall woman who wears nothing but thigh-high leather boots.
Saul Fletchers first monograph, published by Inventory Press last December, begins with a quote from The Rings of Saturn by W. G. Sebald: The seasons and the years came and went and always one lost more and more of ones qualities, became less comprehensible to oneself, increasingly abstract.
Any new work by Belgian artist Olivier Schrauwen is a major event for comics connoisseurs. His work impresses readers with a highly confident style that teeters between fluid naturalism and graphic abstraction, and makes inventive use of the comics form to serve his eccentric exploration of complex narrative themes.