Art In Conversation

PIERRE BURAGLIO with Raphael Rubinstein

During the “events” of May 1968, when students and workers brought the French nation to a standstill and almost toppled the government of Charles de Gaulle, the streets were filled with punchy, quickly produced posters and flyers.

Art In Conversation

MIRA SCHOR with Will Fenstermaker

The works in Mira Schor’s California Paintings: 1971–1973 were made during the artist’s time as a graduate student, at California Institute of the Arts (CalArts), where she was enrolled in the inaugural year of the Feminist Art Program.

Art In Conversation

JUSTIN BRICE GUARIGLIA with Phong Bui

Every now and then I meet an artist who has found his or her calling rather late in life—be it reaching their maturity after years of searching and struggle, or awakening a moment of clear vision, heightened perception that changes their course of direction. Such is the case of Justin Brice Guariglia.

Art In Conversation

BRETT WALLACE with Andreas Petrossiants

Last November, when Amazon decided to split their second headquarters between New York and Washington D.C. artists and cultural workers had to contend with the complicity of the culture industry in displacement and gentrification, and also shoulder the hardships from the exacerbation of these already disastrous crises, characteristic to all large “development” projects, which only redistribute wealth upwards.

From the Publisher & Artistic Director

Dear Friends and Readers,

When I was growing up in Hue, Vietnam, in the late 1960s and 1970s, two primordial forces of destruction colored my life. The first force was man. Just as it did the country, the war divided members of my family—after the Geneva Conference in May 1954, one-half went to the north, the other half remained in the south.

Editor's Messsage Guest Critic

Are You There? Are We?

The people who have contributed to this section are people who make me feel an abundance and openness of speech. Who the you and we are is always in flux, sometimes combustion. What I do believe is that poetry finds more particularly and timelessly its power the more variable and multi-vocal and disobedient it becomes.

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APR 2019

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