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Fiction

from Arabian Nights of 1934

Arabian Nights of 1934 is a journey through the counter-reality embodied in American movies of the early 1930s, leading up to the enforcement of the Production Code in July 1934. It distills a thousand and one nights of Depression-era movie-going—situations, images, cityscapes, jokes and retorts and frantic outbursts—into a streamlined parallel life, the stories bleeding into one another as they did in the minds of the viewers whom they helped sustain.

On Cannibalism

A miner somewhere not long ago slaughtered a young child, sold the musculature as mutton, and some of it, to the horror of every mutton-eating reader, reached Berlin. A similar case has been known since ancient times, when it gave rise to the craziest tragedies. Now lots of mutton turns up in Berlin that actually is not.

inSerial: part six
The Mysteries of Paris

The farm to which Rodolphe led Fleur-de-Marie was located just outside and at the end of the village of Bouqueval, a small solitary parish, unnoticed, buried deep in the countryside, and roughly two leagues from Écouen. The carriage, following Rodolphe's directions, descended a steep road and entered a long avenue bordered with cherry and apple trees.

In Conversation

New Routes in Fiction: NEEL PATEL with Alec Niedenthal 

Neel Patel’s debut collection of stories, If You See me, Don’t Say Hi, is an extraordinary look into many kinds of Indian-American lives: particularly the thwarted dreams and frustrated desires of the young and semi-young. From failed med school exams to mental illness, Patel’s stories have a wide sweep—and a great eye for the complex, the ambiguous, the still-undefined.

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The Brooklyn Rail

MAR 2019

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