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A Portuguese elevator factory might not seem like the most obvious setting for a maximalist experimental feature about the state of contemporary labor, but anyone who follows the more audacious streams of Portugal’s national cinema knows to always expect the unexpected.
Anthony McCall: Solid Light Works at Pioneer Works is a triumph of an exhibition that is deservedly attracting massive audiences.
In the Fall of 2017, the filmmakers Irene Lusztig and Julie Wyman orchestrated a joint project between two classes being taught at the Universities of California, Santa Cruz and Davis.
Tracing a sequence of small moments in the lives of two methadone clients in Nova Scotia, the debut feature by director Ashley McKenzie, is something like a series of small disidentifications, feints, and tweaks on various film formulas.
Claire’s Camera is one in a series of Hong Sangsoo’s recent films to feature actress Kim Min-hee and revolve around a recurring storyline: a woman’s affair with a film director.