Art In Conversation
JEFFREY GIBSON with Nick Bennett
On a recent fall day we spoke for a few hours about Gibson’s incredible and diverse body of work, and in the edited conversation that follows we touch on the deep and shifting influence of one’s identity, and for Gibson, what it means to reimagine the objects and rituals surrounding powwows within Native history, indulging in kitsch and camp as strategies of protection for queer people, and allowing the complications of reality to be present and to confront binary systems.
Art In Conversation
MARTHA ROSLER with Greg Lindquist
In a working life spanning more than fifty years, Martha Rosler has made art that eschews medium-specificity, asks questions, offers propositions, and invites responses. While idea often appears to drive material expression for Rosler, she also considers, beyond a politics of representation, questions of visuality and aesthetics—a likely influence of her early training as a painter.
Art Books In Conversation
MARK DERY with Thyrza Nichols Goodeve
How does a deeply read, supremely pyrotechnic wordsmith, pioneer of cyberculturewho popularized culture jamming and first articulated the notion of Afrofuturism in his conversation with Samuel R. Delany (“Black to the Future” 1993)—scholar of glam rock, author of countless articles on gothic surrealism and natural-history gothic (see: “William Burroughs and Chilopodophobia”), and most trusted guide to zombies and the terror of clowns (see: “Dead Man Walking: What Do Zombies Mean?” 2010)—write a celebrated mainstream biography of the beloved and wildly complex Edward Gorey?
Art In Conversation
AMY SILLMAN with Toby Kamps
In this interview, Amy Sillman discusses her first UK museum exhibition at London’s Camden Arts Centre Amy Sillman: Landline, (on view through January 6, 2019), her response to Trump’s election, and her interests in philosophy and comedy.
Art In Conversation
TAUBA AUERBACH with Tom McGlynn
On the occasion of her third one-person show at Paula Cooper, I took the chance to talk with Tauba Aeurbach about her work and its laterally-cutting through of ideas and forms related to somatic being and its symbolic tissue.
Art In Conversation
GREGOR HILDEBRANDT with Barbara MacAdam
The Berlin-based, West German born-and-raised artist Gregor Hildebrandt was in New York for the opening of his show at Perrotin Gallery on the Lower East Side. It’s a disarmingly huge, three-story, former hardware emporium on Orchard Street, where the blaring signage announcing Beckenstein Hardware, remains intact as a reminder of the building’s history, and underscores the persistence of the past in the ultra-modern light-filled interior.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiAs we’ve come to the end of 2018, it’s impossible to ignore what we’ve gone through in the last two years under the Trump administration. Since we’ve had time to digress and reflect upon what has happened to our liberal democracy, I myself was reminded of Harry Frankfurt’s 2005 classic book On Bullshit.
Editor's Message Guest Critic
Artists Extending Their Reach
By Mark RosenthalProclaiming that artists are the central protagonists of the art world is self-evident: they make the objects and creative phenomena that are the core around which all else revolves. Beyond this fact, though, artists have extended their reach into the future by initiating artist-endowed foundations. In the last few decades, these entities have assumed a strikingly influential place alongside the other platforms of the art world.
Critics Page
-
Artist-Endowed Foundations: Mapping the Field
– By Christine J. Vincent -
Josef and Anni Albers Foundation
– By Nicholas Fox Weber -
Calder Foundation
– By Alexander S. C. Rower -
Dedalus Foundation Education Programs
– By Jack Flam -
The Jay DeFeo Foundation
– By Leah Levy -
Helen Frankenthaler Foundation: Fostering New Insights
– By Elizabeth Smith -
The Start of the Gottlieb Foundation
– By Sanford Hirsch -
Mike Kelley Foundation
– By Mary Clare Stevens -
Don’t Try This At Home (or Alone)
– By Jack Cowart -
A Gift from One Artist to Many: The Joan Mitchell Foundation
– By Christa Blatchford -
The Noah Purifoy Foundation
– By Joe Lewis -
Hands On: Working with Artist-Endowed Foundations and Trusts
– By Patterson Sims -
Socrates Sculpture Park: Potential Energy
– By Ivana Mestrovic -
Lenore G. Tawney Foundation
– By Kathleen Nugent Mangan -
Niki Charitable Art Foundation
– By Bloum Cardenas
ArtSeen
-
Walter Robinson: Salad, Candles, & Money
– By Alfred Mac Adam -
Incidental Relays of Memory
– By Phong Bui -
A Wild Ass Beyond: ApocalypseRN
– By Che Gossett -
The Menil Collection Reinstallation: Selections from the Permanent Collection
– By Alex Jen -
Elise Ansel: Time Present
– By Alfred Mac Adam -
Yasumasa Morimura: Ego Obscura & In the Room of Art History
– By Graham W. Bell -
James Rosenquist: His American Life
– By Mary Ann Caws -
Mariana Castillo Deball: Petlacoatl
– By Jared Quinton -
Introducing Tony Conrad: A Retrospective
– By Andreas Petrossiants -
Bacon’s Women
– By Jessica Holmes -
Pope.L: The Escape
– By Elliot J. Reichert -
Ivan Forde: Dense Lightness
– By Yasi Alipour -
Posing Modernity: The Black Model from Manet and Matisse to Today
– By Jason Rosenfeld -
Marguerite Humeau: Birth Canal
– By Nicholas Heskes -
Emily Mullin: Woman on Top
– By William Corwin -
MOTHA and Chris E. Vargas: Consciousness Razing—The Stonewall Re-Memorialization Project
– By Danilo Machado -
Lisa Yuskavage: New Paintings & Babie Brood
– By Eleanor Heartney -
Charles White: A Retrospective
– By Nico Wheadon -
Gutai
– By Benjamin Clifford -
Nick Cave: If a Tree Falls
– By Alan Gilbert -
John Houck: Holding Environment
– By David Carrier -
Jenny Snider: A selection of paintings, drawings and sculpture, 1970 to the present
– By Dona Nelson -
Thornton Willis: Improvisational Structures
– By Alfred Mac Adam -
Black Mirror: Art as Social Satire
– By Daniel Pateman -
Sable Elyse Smith: BOLO: Be on (the) Lookout
– By Amber Jamilla Musser -
Sarah Lucas: Au Naturel
– By Mengna Da -
Brendan Fernandes: The Living Mask
– By Lori Waxman -
Stanley Whitney: In the Color
– By Tom McGlynn -
Harriet Korman: Permeable/Resistant
– By Raphael Rubinstein -
Rona Pondick
– By Pac Pobric -
Arthur Simms: The Big Picture, One Halo, Sculptures and Drawings
– By Hovey Brock -
Harvey Quaytman: Against the Static
– By David Carrier -
Vicky Colombet: Paintings from 2007 – 2018
– By Jonathan Goodman -
Carnegie International, 57th Edition
– By Sabrina Mandanici -
False Flag: The Space Between Paranoia and Reason
– By Ann C. Collins -
Tau Lewis: I bet this cave has been here for a really long time
– By Magdalyn Asimakis -
MECA Art Fair, Old San Juan
– By Katy Diamond Hamer -
Peter Williams: River of Styx
– By Daniel Gerwin -
Hélio Oiticica: Spatial Relief and Drawings 1955 - 59
– By Alfred Mac Adam -
Mark Grotjahn: New Capri, Capri, Free Capri
– By David Rhodes -
A Wild Ass Beyond: ApocalypseRN
– By Alex A. Jones -
Spine
– By Megan N. Liberty
Table of Contents
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Editor's Message
-
Artists Extending Their Reach
– By Mark Rosenthal
Art
-
TAUBA AUERBACH with Tom McGlynn
-
AMY SILLMAN with Toby Kamps
-
MARTHA ROSLER with Greg Lindquist
-
JEFFREY GIBSON with Nick Bennett
-
Creativity, Commerce, and the Elephant that Lingers in the Room
– By Douglas Dreishpoon -
GREGOR HILDEBRANDT with Barbara MacAdam
ArtSeen
-
Walter Robinson: Salad, Candles, & Money
– By Alfred Mac Adam -
Incidental Relays of Memory
– By Phong Bui -
A Wild Ass Beyond: ApocalypseRN
– By Che Gossett -
The Menil Collection Reinstallation: Selections from the Permanent Collection
– By Alex Jen -
Elise Ansel: Time Present
– By Alfred Mac Adam -
Yasumasa Morimura: Ego Obscura & In the Room of Art History
– By Graham W. Bell -
James Rosenquist: His American Life
– By Mary Ann Caws -
Mariana Castillo Deball: Petlacoatl
– By Jared Quinton -
Introducing Tony Conrad: A Retrospective
– By Andreas Petrossiants -
Bacon’s Women
– By Jessica Holmes -
Pope.L: The Escape
– By Elliot J. Reichert -
Ivan Forde: Dense Lightness
– By Yasi Alipour -
Posing Modernity: The Black Model from Manet and Matisse to Today
– By Jason Rosenfeld -
Marguerite Humeau: Birth Canal
– By Nicholas Heskes -
Emily Mullin: Woman on Top
– By William Corwin -
MOTHA and Chris E. Vargas: Consciousness Razing—The Stonewall Re-Memorialization Project
– By Danilo Machado -
Lisa Yuskavage: New Paintings & Babie Brood
– By Eleanor Heartney -
Charles White: A Retrospective
– By Nico Wheadon -
Gutai
– By Benjamin Clifford -
Nick Cave: If a Tree Falls
– By Alan Gilbert -
John Houck: Holding Environment
– By David Carrier -
Jenny Snider: A selection of paintings, drawings and sculpture, 1970 to the present
– By Dona Nelson -
Thornton Willis: Improvisational Structures
– By Alfred Mac Adam -
Black Mirror: Art as Social Satire
– By Daniel Pateman -
Sable Elyse Smith: BOLO: Be on (the) Lookout
– By Amber Jamilla Musser -
Sarah Lucas: Au Naturel
– By Mengna Da -
Brendan Fernandes: The Living Mask
– By Lori Waxman -
Stanley Whitney: In the Color
– By Tom McGlynn -
Harriet Korman: Permeable/Resistant
– By Raphael Rubinstein -
Rona Pondick
– By Pac Pobric -
Arthur Simms: The Big Picture, One Halo, Sculptures and Drawings
– By Hovey Brock -
Harvey Quaytman: Against the Static
– By David Carrier -
Vicky Colombet: Paintings from 2007 – 2018
– By Jonathan Goodman -
Carnegie International, 57th Edition
– By Sabrina Mandanici -
False Flag: The Space Between Paranoia and Reason
– By Ann C. Collins -
Tau Lewis: I bet this cave has been here for a really long time
– By Magdalyn Asimakis -
MECA Art Fair, Old San Juan
– By Katy Diamond Hamer -
Peter Williams: River of Styx
– By Daniel Gerwin -
Hélio Oiticica: Spatial Relief and Drawings 1955 - 59
– By Alfred Mac Adam -
Mark Grotjahn: New Capri, Capri, Free Capri
– By David Rhodes -
A Wild Ass Beyond: ApocalypseRN
– By Alex A. Jones -
Spine
– By Megan N. Liberty
1x1
-
The Listeners
– By Ernesto Pujol
Critics Page
-
Artist-Endowed Foundations: Mapping the Field
– By Christine J. Vincent -
Josef and Anni Albers Foundation
– By Nicholas Fox Weber -
Calder Foundation
– By Alexander S. C. Rower -
Dedalus Foundation Education Programs
– By Jack Flam -
The Jay DeFeo Foundation
– By Leah Levy -
Helen Frankenthaler Foundation: Fostering New Insights
– By Elizabeth Smith -
The Start of the Gottlieb Foundation
– By Sanford Hirsch -
Mike Kelley Foundation
– By Mary Clare Stevens -
Don’t Try This At Home (or Alone)
– By Jack Cowart -
A Gift from One Artist to Many: The Joan Mitchell Foundation
– By Christa Blatchford -
The Noah Purifoy Foundation
– By Joe Lewis -
Hands On: Working with Artist-Endowed Foundations and Trusts
– By Patterson Sims -
Socrates Sculpture Park: Potential Energy
– By Ivana Mestrovic -
Lenore G. Tawney Foundation
– By Kathleen Nugent Mangan -
Niki Charitable Art Foundation
– By Bloum Cardenas
Books
-
AIMEE NEZHUKUMATATHIL with Alex Dueben
-
ITALIAN LOCAL FLAVOR: ANDREW COTTO with Anne Tammel
-
LEE MARTIN with Nicholas Rys
-
Daniel Gumbiner’s The Boatbuilder
– By James Faccinto -
THE MERE ARTICULATION OF SIGNIFICANCE: Joy Enough: a Memoir, by Sarah McColl
– By J.C. Hallman -
Ottessa Moshfegh’s My Year of Rest and Relaxation
– By Deena ElGenaidi -
MALCOLM MCNEILL with Edward S. Robinson
-
Chelsey Minnis's Baby, I Don’t Care
– By Logan Berry
Music
-
Vaccinated with a Phonograph Needle
– By David Menestres -
Smoke and Stars: YOB’s Our Raw Heart
– By John Amen -
MISSY MAZZOLI with Anthony Hawley
-
Outtakes
– By Steve Dalachinsky -
December/January Listings
– By George Grella and Brad Cohan -
The Sound of Ambivalence: Exploded View at Rough Trade NYC
– By Dan Joseph
Dance
-
Editor's Note
– By Gillian Jakab -
The Deep Roots and Airborne Particulars of Judson Dance Theater
– By Mark Bloch -
‘The Work Is Never Done’ at MoMA: enacting and obscuring archives
– By Benedict Nguyen -
I Love Judson
– By Trajal Harrell -
CORI OLINGHOUSE with Gillian Jakab
-
Game Plan: Lucinda Childs’s Early Works (1963 – 1978)
– By Madison Mainwaring
Film
-
Transcending Inheritance: On The Heiresses
– By Madeline Whittle -
FABRICE ARAGNO with Ethan Spigland
-
Expectations Upended: Doclisboa 2018
– By Matt Turner -
ERICKA BECKMAN with Shelby Shaw
– By Shelby Shaw -
An Undetermined History: On Wang Bing’s Dead Souls
– By Beatrice Grenier -
Breaking the Spell: Reykjavík International Film Festival 2018
– By Jordan Cronk -
MICHAEL M. BILANDIC with Gina Telaroli
– By Gina Telaroli
Theater
-
Political Fairy Tales: The Russian and the Jew
– By Jess Chayes -
IN DIALOGUE: Toothy Divinity in Jessica Dickey’s The Convent
– By Anna Ziegler -
"I Shame You Because I Love You" and Other Songs: Slanty Eyed Mama’s Zombie Asian Moms
– By Elisabeth Ng
Fiction
-
The House Collapses
– by Amanda Michalopolou, translated from the Greek by Karen Emmerich -
What’s Good About The End
– By Naomi Feigelson Chase -
New York Cycle, a Diary
– by Catherine Cusset, an excerpt translated from the French by Armine Kotin Mortimer -
Highlights from the Life of Raymond Roussel #10: Le Procédé
– By Tom Motley -
inSerial: part four The Mysteries of Paris
– By Eugène Sue, translated from the French by Robert Bononno -
Pushcart Prize Nominations 2018
–
Poetry
-
Consciousness Self-Learns
– By Mei-mei Berssenbrugge -
two
– By Gabriel Don -
four
– By Hoa Nguyen -
two
– By Andrew Levy -
two
– By Farid Matuk -
four
– By Jerome Sala -
If This Is Paradise Why Are We Still Driving BRENDAN LORBER with Todd Colby
Art Books
-
Peggy Phelan and Richard Meyer’s Contact Warhol: Photography Without End
– By Karen Chernick -
Michalis Pichler's Publishing Manifestos
– By Megan N. Liberty -
Christopher Howard's The Jean Freeman Gallery Does Not Exist
– By Jennie Waldow -
MARK DERY with Thyrza Nichols Goodeve
Field Notes
-
“The Most Crucial Election of Our Lifetime?”—The 2018 US Midterm Elections
– By Charlie Post -
Hog Farms, Toxic Water, and Toxic Prisons
– By Keith "Malik" Washington -
THINKING ABOUT COMMUNISM: Fundamental Principles of Communist Production and Distribution: A New Look at an Old Text *
– By Charles Reeve -
[censored]
–