From classifying sidewalk stains to the story of a beachcomber finding a bottled message at sea, Ga focuses our attention on the ambiguity and indeterminacy of exploration, and the human desire to rationalize and order the world.
His Name Was Master is a collection of five texts by P-Orridge from 1977 – 2017, including a “C.I.A. File” biography s/he wrote about Gysin’s career for h/er 1977 book Contemporary Artists (Gysin’s response: “Even the C.I.A. don’t know this much about me!”), a text written upon Gysin’s death in 1986, and others detailing the “magickal” processes and methods of Burroughs and Gysin.
Centering public protest as the platform of the oppressed—and, in Dr. Martin Luther King, Jr.’s words, “riot as the language of the unheard”—author Aruna D’Souza offers an uncensored look at the role black artists, activists, and their allies have played in forging more equitable practices within the field of contemporary art.
It is a sobering moment to imagine the sheer volume of artworks which at one point enjoyed a physical life on earth but now cease to exist. To collect them in a museum, Noah Charney writes, “would contain more masterpieces than all the world’s museums combined.”