Table of Contents
Editor's Message
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Why Luciano Fabro Today?
– By Sharon Hecker
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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LIZA LOU with Charlie Schultz
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ELLEN BERKENBLIT with Alex A. Jones
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MARY WEATHERFORD with Terry R. Myers
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DIANA THATER with Steven Pestana
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Gray Foy: Known and Unknown
– By Robert Pincus-Witten
ArtSeen
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To the Pit of Things: On Patrick Nagatani and Mentorship
– By Colin Edgington -
Rackstraw Downes: Paintings & Drawings
– By Alfred Mac Adam -
Diana Thater
– By Emily Watlington -
The Racial Imaginary Institute: On Whiteness
– By Nico Wheadon -
The Otolith Group: A Lost Future
– By Swagato Chakravorty -
The First Riga International Biennial of Contemporary Art (RIBOCA): Everything Was Forever, Until It Was No More
– By Joyce Beckenstein -
Martha Rosler and Hito Steyerl: War Games
– By Lisa E. Bloom -
Bodys Isek Kingelez: City Dreams
– By Maddie Klett -
Yaara Zach: Unreasonable Doubt
– By Naomi Lev -
Chaim Soutine: Flesh
– By Alfred Mac Adam -
The Thomas Cole House, Olana, and Lyndhurst
– By Jason Rosenfeld -
Hope and Hazard: A Comedy of Eros
– By Steven Pestana -
Analia Segal: Contra la pared
– By Jonathan Goodman -
Vincent Fecteau
– By Alex Jen -
Patrick Staff: hatefull to the stomach, harmefull to the braine
– By Nick Herman -
Please Touch: Body Boundaries
– By Yasi Alipour -
Tony Oursler: TC: the most interesting man alive
– By Ida Pruitt -
Brand-New & Terrific: Alex Katz in the 1950s
– By Phong Bui -
Brand-New & Terrific: Alex Katz in the 1950s
– By Tom McGlynn -
Summer of David
– By Osman Can Yerebakan -
David Wojnarowicz
– By Jan Avgikos -
David Wojnarowicz: History Keeps Me Awake at Night
– By Danilo Machado -
The Water Lilies: American Abstract Painting and the Last* Monet
– By Norman L Kleeblatt -
Sheila Pepe: Hot Mess Formalism
– By Anthony Hawley -
Richanda Rhoden
– By Hadley Suter -
Seed
– By Michela Moscufo -
Jonas Mekas: Notes from Downtown
– By Mark Bloch -
13th Forum Expanded Exhibition: A Mechanism Capable of Changing Itself
– By Anthony Hawley
1x1
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Introducing 1 by 1
– By Thyrza Nichols Goodeve -
For Bill Berkson
– By Andrei Codrescu -
Richard Serra: Tilted Arc
– By Nicole Miller
Critics Page
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Robert Morris
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Paolo Canevari
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Re: Moving Pictures
– By Neil Powell -
Fabro: Why Now
– By Nancy Olnick -
Luciano Fabro with Martin Schwander
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Luciano Fabro: Timely and Defiant
– By Margit Rowell -
Every Order is Contemporaneous of Every Other Order
– By Mami Kataoka -
Lawrence Weiner
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Technique as Alibi
– By Jessica Morgan -
Luciano Fabro: In Virtue of References
– By Frances Morris
Books
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Karl Ove Knausgaard's Summer
– By Robert Blaisdell -
Laura Esther Wolfson's For Single Mothers Working as Train Conductors
– By Lily Majteles -
Tommy Orange's There There
– By Yvonne C. Garrett -
William T. Vollmann’s Carbon Ideologies
– By Jacob Singer -
Porochista Khakpour's Sick
– By Deena ElGenaidi -
Tsitsi Dangarembga’s This Mournable Body
– By John Domini -
Donna Masini’s 4:30 Movie
– By Tony Leuzzi -
NEW WORLD POSTCOLONIAL: JAMES W. FUERST with Juan E. De Castro
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Maggie Nelson's Something Bright, Then Holes
– By Elizabeth Block -
BLAIR HURLEY with Olivia Kate Cerrone
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STEVE ALMOND with Curt Smith
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TIMOTHY LIU with Tony Leuzzi
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The Delicious Unease of A Lesser Day
– By Aimee Parkinson -
DALE PECK with Christine Sang
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Alistair McCartney's The Disintegrations
– By Tim Horvath -
Assimilation as Disappearing Act: José Olivarez's Citizen Illegal
– By Chris Campanioni -
Susan Shapiro’s The Byline Bible
– By Matt Grant -
Welcome to Lagos
– By Yvonne C. Garrett
Music
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Punkt Festival
– By Martin Longley -
DANIEL LOPATIN with George Grella
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Nick Soulsby's Swans: Sacrifice And Transcendence, The Oral History
– By Dan Joseph -
Zeal & Ardor’s Visionary Diptych
– By John Amen -
Outtakes
– By Steve Dalachinsky -
September Listings
– By Brad Cohan
Dance
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INSITU: dance in its first position
– By Jen George -
Misfiring synapses: a conversation with Gabri Christa about her stage comeback with Magdalena
– By Ivan Talijancic -
Mark Morris’s Ascension in a Shrinking Summer Dancescape at Lincoln Center
– By Susan Yung -
Four Continents and Five Boroughs on the Harbor
– By Gillian Jakab
Film
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RaMell Ross’s Hale County This Morning, This Evening
– By Steve Macfarlane -
HANNAH GREENBERG with Gina Telaroli
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Il Cinema Ritrovato 2018: The Timeliness of the Past
– By Celluloid Liberation Front -
The Neurotic Gothic Deviated Sex-Colored World: Dietrich & von Sternberg in Hollywood
– By Leo Goldsmith
Theater
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Theater in the Wild: The Motor Company at Large in NYC
– By Jen Gushue -
Poking Holes in Performance Publishing: Brooklyn-based 3 Hole Press
– By Erik Freer -
Gathering Round The Hearth: New Theater, Strong Women, and Fiery Plays
– By Billy McEntee
Fiction
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From Samuel Johnson’s Eternal Return
– By Martin Riker -
Narrating Forgetting
– By Hilary Plum -
inSerial: part one The Mysteries of Paris
– by Eugène Sue, translated from the French by Robert Bonnono -
New Routes in Fiction: KEITH GESSEN with Alec Niedenthal
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Highlights from the Life of Raymond Roussel #7: Vaudeville
– By Tom Motley -
Golthar, Terror of the Deep
– By Nathan Place
Poetry
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five
– By Ron Padgett and Yu Jian -
from Trying
– By Jackie Clark -
five
– By Uche Nduka -
three
– By Charles North -
MERCEDES ROFFÉ with Anna Deeny Morales
Verbatim
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Sean Scully: Illuminated Manuscripts
– By Jessica Holmes
Art Books
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Maura Reilly's Curatorial Activism: Towards an Ethics of Curating
– By Gretchen Coombs -
Isabelle Graw's The Love of Painting: Genealogy of a Success Medium
– By Lauren Palmer -
Luigi Ghirri's The Map and The Territory
– By Sarah Heather Brown -
SONEL BRESLAV with Megan N. Liberty
In Memoriam
Field Notes
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Letter from San Antonio
– By Marisela Barrera -
Quotation, Paraphrase, and Plagiarism: An Exchange
– By Pavlos Roufos and Libcom -
Little Caughnawaga
– By Isabel Lockhart -
Degrowth Considered
– By Max Ajl
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