All Gates Open: The Story of CanBy George Grella
One weekday afternoon some time in the spring of 1989, if I've not lost too much to the vagaries of memory, I was in my Fort Greene apartment, trying to occupy myself constructively during one of my frequent stretches of unemployment. I know it was a Monday, because I tuned in to Tony Coulter's Monday Afternoon New Music show on WKCR, and heard the most mesmerizing and unclassifiable music I had yet encountered.
Voices at the End of the Night:
By Ron Horning
The Fall, New Facts Emerge, Cherry Red Records, 2017
Mike Hudson & the Pagans, Hollywood High, Ruin Discos, 2014
The Falls previous studio album, Sub-Lingual Tablets, ends with guitar lashed diatribes against Facebook and iPhones, and the first cut on New Facts Emerge is Segueso whats the target this time?
Punk With Personality: Idles at Rough Trade NYCBy Dan Joseph
As if to counter the growing spread of extreme-right ideology throughout the western world, punk rock, that forty-year old, often political genre, appears to be advancing with similar force.
OuttakesBy Steve Dalachinsky
One day while walking down St. Marks Place with a friend (a bit stoned) at the age of fifteen or so I heard this wild music coming out of a doorway, that I later learned was for the 5 Spot. I stuck my head through and saw this amazing pianist tearing up the keys. I was stunned.
Major Dudes: A Steely Dan CompanionBy George Grella
Steely Dan played the Paramount Theatre in Seattle on the first of July, 1974—there's a live recording—and the MC introduced the band thus: "Ladies and gentlemen, here by popular demand and at great expense to the management, you may like them—personally I don’t—from Los Angeles, California, Steely Dan!"