Poet, memoirist, and essayist Chris Campanioni adapts the dialectic for the age of the smartphone. For him, it’s not about the A/B binary of original object and subverted result; Campanioni brings Situationism to the party, generating texts with performative constraints that are often obscured as the writer erases his path to the final product.
I like stories (and I mean here both short stories and novels) where dramatic events happen early, and then those events are made worse—or at least more complicated—by the inept ways characters choose to deal with them. I like to watch people continually screw things up. That’s the kind of story I like to read, and that’s the kind of story I like to write. That’s what keeps me inside.
Practices claiming to convert sexual orientation or gender identity and to cure the mental illnesses or developmental disorders that purportedly cause same-sex attraction had been banned in five states and the District of Columbia.
For a story beset with some of the ugliest traumas of fractured contemporary America, Mary Troy’s busy new novel careens along with remarkable lightheartedness.
I fell hard for Susan Perabo last year after reading her short-story collection Why They Run the Way They Do, a collection of somehow entirely domestic, and truly mysterious and strange stories.
Let’s admit at the outset that it has grown weirdly difficult to read or respond to George Saunders. Not because he’s not great, but because he’s now So Great.