More Articles...
Print
JO NIGOGHOSSIAN: Exotica
by Phong BuiTeam (Gallery, inc.) | June 8 – August 11, 2017
Poise. Fiercely built by
A cohesive assembly of points, lines, and planes,
The precise demarcations separate
The provinces from the state,
On this side of geography.
Bent, twisted, high,
Base with ferocious dexterity,
Unpredictable balletic gestures tighten tough tissues,
Strengthen the muscular skeleton into a unified anatomy.
Dissimilar, welded forms punctuate
The image like semicolons trapping a sentence
Or two in mid air, writing lines of sight.
Asymmetrical arrays, with stitched greaves, gauntlets,
Pauldrons, faulds, vambraces,
Among other armored parts,
Exude a fragrance of motion,
Quivering shakes treading with confidence in their tempo.
A few swimmerets and antennules are visibly directed
By cardiac regions;
What appears as extremely durable becomes fragile.
This unknown pandemonium with piercing marks
And perforating cuts, rends fractures as transgressions.
No one assumes they were mere creations of Tsovina.
Robust prosoma—its anterior—is bolted with
Explicit exactitude, and an attitude for the dance.
How formidable yet tenuous, this moment.
Marching forward with an elliptical craze while
Transfixed by the pivotal shifts, from
Well-tempered comportments to intricate outlines, from
A remarkable aptitude for exceptional vulnerability.
This Cartesian dualism is what has indeed prompted
Each of these two Being(s)
Colossal vitality.
Jo Nigoghossian, Being, with blown glass (color), 2017. Powder-coated steel, glass. 30 × 124 × 70 inches. Photo courtesy Team (gallery, inc.)
Jo Nigoghossian, Being, with blown glass (black & white), 2017. Powder-coated steel, glass. 144 × 63 × 96 inches. Photo courtesy Team (gallery, inc.)
RECOMMENDED ARTICLES
Like Life: Sculpture, Color, and the Body
by Jason RosenfeldJUNE 2018 | ArtSeen
Equal parts astonishing, creepy, and daring, Like Life is that rarest of major exhibitions: almost entirely comprised of sculpture; visually intriguing at every turn; and brimming with interesting ideas.
RICHARD SERRA:
Sculpture and Drawings
by Benjamin Clifford
DEC 17-JAN 18 | ArtSeen
The works that make up Serra’s current show reveal an approachability that’s surprising for a figure commonly associated with aggressive, even overwhelming, effects.
RICHARD SERRA: Sculpture and Drawings
by David CarrierDEC 17-JAN 18 | ArtSeen
The most remarkable artwork in Richard Serra’s recent exhibition, which included dense paint stick drawings and sculpture, is Four Rounds: Equal Weight, Unequal Measure (2017).
Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender
by Jarrett EarnestFEB 2016 | Art Books
It is radical to propose that abstract sculptures have genders, or rather, can evoke them. In his new book, David Getsy goes even further, arguing that non-representational forms can conjure genders unknown, unforeseen, and unshared by their makers.
RSS
