More Articles...
Print
JO NIGOGHOSSIAN: Exotica
by Phong BuiTeam (Gallery, inc.) | June 8 – August 11, 2017
Poise. Fiercely built by
A cohesive assembly of points, lines, and planes,
The precise demarcations separate
The provinces from the state,
On this side of geography.
Bent, twisted, high,
Base with ferocious dexterity,
Unpredictable balletic gestures tighten tough tissues,
Strengthen the muscular skeleton into a unified anatomy.
Dissimilar, welded forms punctuate
The image like semicolons trapping a sentence
Or two in mid air, writing lines of sight.
Asymmetrical arrays, with stitched greaves, gauntlets,
Pauldrons, faulds, vambraces,
Among other armored parts,
Exude a fragrance of motion,
Quivering shakes treading with confidence in their tempo.
A few swimmerets and antennules are visibly directed
By cardiac regions;
What appears as extremely durable becomes fragile.
This unknown pandemonium with piercing marks
And perforating cuts, rends fractures as transgressions.
No one assumes they were mere creations of Tsovina.
Robust prosoma—its anterior—is bolted with
Explicit exactitude, and an attitude for the dance.
How formidable yet tenuous, this moment.
Marching forward with an elliptical craze while
Transfixed by the pivotal shifts, from
Well-tempered comportments to intricate outlines, from
A remarkable aptitude for exceptional vulnerability.
This Cartesian dualism is what has indeed prompted
Each of these two Being(s)
Colossal vitality.
Jo Nigoghossian, Being, with blown glass (color), 2017. Powder-coated steel, glass. 30 × 124 × 70 inches. Photo courtesy Team (gallery, inc.)
Jo Nigoghossian, Being, with blown glass (black & white), 2017. Powder-coated steel, glass. 144 × 63 × 96 inches. Photo courtesy Team (gallery, inc.)
RECOMMENDED ARTICLES
Odyssey: Jack Whitten Sculpture 1963 – 2017
by William CorwinNOV 2018 | ArtSeen
Eschewing the criticality of the minimalist sculpture around him in the late ’60s and early ’70s, Jack Whitten, primarily known as a painter, embarked on a course of aesthetic discovery aimed at producing sculpture that radiated the energy of collective memory and reflected the power of various individuals, living and dead, to whom he chose to pay tribute through his work.
RICHARD SERRA: Sculpture and Drawings
by David CarrierDEC 17-JAN 18 | ArtSeen
The most remarkable artwork in Richard Serra’s recent exhibition, which included dense paint stick drawings and sculpture, is Four Rounds: Equal Weight, Unequal Measure (2017).
Like Life: Sculpture, Color, and the Body
by Jason RosenfeldJUNE 2018 | ArtSeen
Equal parts astonishing, creepy, and daring, Like Life is that rarest of major exhibitions: almost entirely comprised of sculpture; visually intriguing at every turn; and brimming with interesting ideas.
Socrates Sculpture Park: Potential Energy
by Ivana MestrovicDEC 18-JAN 19 | Critics Page
I have heard stories from friends from the ’60s and ’70s that Mark would give you money if he had it and you needed it. Not that he had a lot of money. But if you had it, you shared it. He was one of the founders of Park Place Gallery which was a cooperative gallery. He gave Paula Cooper a piece to sell which helped to fund her first gallery. Perhaps this was the refugee spirit having emigrated to the US with no money when he was seven. Perhaps this was part of the spirit of the ‘60s. Perhaps it was just his nature.
RSS
