ArtSeen
DONALD JUDD
Mound, Clique, Flow
From ancient and sacred geometry arose Gertrude’s “Portraits and Repetition.”
Deliberate in each matter of fragmented melody,
Can form reach its opulence through endurance and reiteration?
The interval of Untitled, 1991,
However brilliant and succulent the red sheen of the almost uniformly
Weathered steel may appear,
In its accord with the painted yellow lacquer,
In each of the four square configurations,
It holds the negative space like a silent crucifix.
In near distance, one member of the family
Denies, conceals, dividing the square to the divine multiplicity.
Where does one negotiate with one’s torso in this perfect symmetry?
“Specific Objects” objectifies the silence of counting.
Counting to formulate variations of vertical and horizontal repose.
It’s sublime in one-quarter left on one side.
Perplex beauty of the same yellow lacquer on the other side.
They keep us from entering this generous maze.
Yes, it’s measured to the middle of her ribcage,
Equating someone else’s feet standing and moving about.
They’re in complete harmony with their spatial flow, clique, and mound.
RECOMMENDED ARTICLES
Donald Judd: Maker, Baker
By Elizabeth BuheAPRIL 2020 | ArtSeen
Crisp, clean, cool, no-frills, matter-of-factthese and similar adjectives constitute a familiar lexicon for the work currently on display in Judd, the appropriately tight, monosyllabic title MoMA has given its Donald Judd retrospective, the first in New York in over 30 years.

Donald Judd
By Lyle RexerNOV 2020 | ArtSeen
From a distance of decades, its easier to see Judds veiled polemic for what it was: opinion masquerading as analysis and intuition supported primarily by his own practice. At the same distance, through two major exhibitions, its possible to see and feel intensely what Judd accomplished.
John Chamberlain & Donald Judd
By Barbara A. MacAdamDEC 19-JAN 20 | ArtSeen
So far and yet so near, the antithetical aesthetics of John Chamberlain and Donald Judd are provocatively at play in this compelling show of sculptures, wall pieces, and paintings from the 1960s and 70s. The artists could be considered the alpha and omega of 20th century American sculpture.
RICHARD SHIFF with Jessamine Batario
OCT 2020 | Art
We connected via Zoom to discuss Shiff's most recent publication, Sensuous Thoughts: Essays on the Work of Donald Judd (2020).