Art

In Conversation

ZENG FANZHI with Phong Bui

For me, one of the most rewarding experiences in working with the legendary Alanna Heiss was putting together the massive survey of contemporary art in Asia, Spectacle, for which she enlisted me and the late Wonil Rhee as co-curators. It was intended to be Alanna’s farewell exhibition before retiring from her post as founder and director of MoMA PS1 from 1971 to 2008.

In Conversation

YOKO ONO with Laila Pedro

Over the course of a prolific and inventive career, Yoko Ono has continually challenged the meaning, structure, and limits of art. Since the 1950s, she has been a pioneer of avant-garde and experimental culture, with a multimedia practice that encompasses music, performance, instructions, writing, and film. By turns playful and visceral, violent and witty, Ono’s highly conceptual works are also informed by a profound commitment to peace activism.

In Conversation

SEBASTIAN BLACK with John Ganz

Recently, John Ganz sat down in Sebastian Black’s Brooklyn studio to talk about his recent show at C L E A R I N G. The conversation quickly turned to thoughts on art history, the limits of language, irony, and the act of painting itself. Black mixes a wry sense humor with a philosophical cast of mind and dedication to the everyday practice of painting.

In Conversation

DONALD KUSPIT with Alex Chowaniec

I sat down with renowned art critic Donald Kuspit, in an unsuspectingly loud coffee shop, to begin a conversation that I had thought about having for many years prior. The result, framed by the end(s) of art and of life, debates profound issues that shape our ways of being in the art world and beyond.

THE HELD ESSAYS ON VISUAL ART
The Bowery In Two Contemporary Differential Systems

What does it mean to think about our contemporary condition today, and about contemporary art’s relation to it?

In Conversation

RASHID JOHNSON with Allie Biswas

Rashid Johnson has produced a diverse body of work over the last decade, since completing his MFA at the School of the Art Institute, Chicago. He has been particularly recognized for his large-scale sculptures and installations, which are primarily abstract in nature, and which regularly employ a specific series of materials that includes shea butter, black soap, wax, and plants.

In Conversation

JOSÉ PARLÁ with Laila Pedro

“For most of my life,” writes José Parlá, “I have experienced being in transition and migration.” As he moves through a layered world of multiple cultures and geographies, Parlá’s intensively textured works move between spaces and mediums: they encompass painting and sculpture, wall fragments brought inside gallery spaces or installed in public, and the polymorphous influence of the underground art scene of the 1980s.

In Conversation

THE MIGRANT AS CONSCIENTIOUS OBJECTOR
JOSEPH NECHVATAL with Thyrza Nichols Goodeve

Joseph Nechvatal is a post-conceptual painter, media and audio artist, art theoretician, and the Paris correspondent for Hyperallergic. He came into prominence in the early ’80s downtown New York art world for small, dense, semi-abstract, apocalyptic graphite drawings that were sometimes blown up photo-mechanically.

In Conversation

WALID RAAD with Seth Cameron

Walid Raad is an artist and professor at Cooper Union. I first met him while I was a student there in the early 2000s, when he presented an artist talk on his project The Atlas Group (1989 – 2004).

ADVERTISEMENTS
close

DEC 15-JAN 16

All Issues