Art In Conversation
PETER SCHJELDAHL with Jarrett Earnest
In the pantheon of art writers Peter Schjeldahl holds a special place near the top as one of our greatest living critics. He entered the New York scene in the 60s, a poet and college dropout escaping a Lutheran upbringing in Minnesota.
NESHAT AT THE HIRSHHORN
Late Works/New Readings
By Layla S. Diba
An artists late works provide easy targets for criticism because they often do not correspond to the accepted readings of the artists earlier, iconic work. That late works often mark a new beginning can be seen in the careers of long-lived artists such as Picasso, or more recently, Alex Katz. A retrospective of the thirty-odd year career of Iranian-American Shirin Neshat (b. 1957, Iran) currently on view at the Hirshhorn Museum in Washington, D.C., Shirin Neshat: Facing History, affords a welcome opportunity to address this question.
WHEN ATTITUDE BECOMES A FOUNDATION
Making the Impossible Possible in North Rhine-Westphalia andfor a Few Days in JulyNew York City
By Thyrza Nichols Goodeve
Nowhere is the myopic New York-centrism that Saul Steinberg so famously captured in his March 29, 1976 cover of the New Yorker as ubiquitous as it is in the art world. Although international travel is a given for most art professionals, in 2015 the art-infested boroughs of New York City, branching out from Soho to Chelsea, to Williamsburg, Long Island City, and Bushwick, with museums expanding in ways both depressing (MoMA) and exhilarating (the Whitney), it is hard not to continue to call New York the center of the art world.
Kids Today
By Geoffrey YoungAmong the shooters, there are commonalitiessocial isolation, feelings of persecution, psychotropic drug use, obsessive playing of violent video games (like Call of Duty or World of Warcraft), etc.that experts will, in every aftermath, desperately try to collate and quantify with the hope of achieving some understanding of a phenomenon that has become appallingly familiar in our culture.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiIn recent weeks we have witnessed divisive ethos continuing to spread across the world, especially in Syria, Tunisia, and Nigeria, and similar occurrences have befallen the United States.
Editor's Message Guest Critic
A Tribute to Linda Nochlin
By Maura ReillyLinda Nochlin (b. 1931) grew up an only child in Crown Heights, Brooklyn, in a secular, leftist Jewish family where intellectual achievement and artistic appreciation were among the highest goals, along with social justice.
Critics Page
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Linda Nochlin
– By Sarah Douglas -
Linda Nochlin
– By Eleanor Heartney -
Linda Nochlin
– By Patricia Cronin -
Against Closure
– By Nancy Princenthal -
Linda Nochlin
– By Isabelle Hyman -
Linda Nochlin
– By Deborah Kass -
Linda Nochlin
– By Peter R. Kalb -
Linda Nochlin
– By Tom McDonough -
Linda Nochlin
– By Agnes Gund -
The Art Historian According to Artists
– By Jovana Stokic -
Linda Nochlin
– By Natalie Frank -
Linda Nochlin
– By Joyce Kozloff -
Linda Nochlin: The Intersection of Herself and History
– By Carey Lovelace -
Lindas Realism
– By Eunice Lipton -
Linda Nochlin
– By Marni Kessler -
A Foot and a Sink
– By Jongwoo Jeremy Kim -
An Anecdotal Footnote
– By Elizabeth C. Baker -
At First Sight
– By Carol Ockman -
Linda Nochlin
– by Gerda Tardo, the Guerrilla Girls -
Linda Nochlin
– By Moira Roth -
Linda Nochlin
– By Zuka Mitelberg
ArtSeen
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JJ PEET: MAGiCSTANCE
– By Melinda Lang -
Dina Brodsky: Cycling Guide to Lilliput
– By Kim Power -
ALBERT OEHLEN
– By Terry R. Myers -
ALEX KATZ
– By Hearne Pardee -
TORBJØRN RØDLAND Corpus Dubium
– By Charles Schultz -
Pearlstein/Warhol/Cantor: From Pittsburgh to New York
– By David Carrier -
RICHARD TUTTLE Both/And Richard Tuttle Print and Cloth
– By Phong Bui -
ANICKA YI: 6,070,430K of Digital Spit
– By Jody Graf -
JACOB EL HANANI Drawings
– By Taney Roniger -
WAEL SHAWKY The Cabaret Crusades
– By Yasi Alipour -
TAMARA ZAHAYKEVICH ZAHAYKEVICH
– By David Rhodes -
CAROLYN SALAS
– By Mary Proenza -
YOAN CAPOTE Collective Unconscious
– By Ann McCoy -
Storylines
– By Simone Krug -
Latin America in Construction: Architecture, 1955-1980
– By Michelle Standley -
Not A Painting
– By Kate Liebman -
Seeds from DiDonna
– By Darragh McNicholas -
A Sense of Place: Ellen Phelans Kenjockety
– By William Corwin -
ANDREA GALVANI The End
– By Martha Raoli -
Old Truths & New Lies
– By Chloe Wilcox -
ROBERT SWAIN Color Energy
– By Hovey Brock -
SERENA BOCCHINO Paintings
– By Jonathan Goodman -
MARY WEATHERFORD Red Hook
– By Nora Griffin
Table of Contents
Editor's Message
-
A Tribute to Linda Nochlin
– By Maura Reilly
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
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CLIFFORD ROSS with Phong Bui
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SAM MESSER with Kiki Smith
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PETER SCHJELDAHL with Jarrett Earnest
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MARY HEILMANN & DAVID REED with Alex Bacon
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TAKING IT PERSONALLY Comments on Isabelle Graws Concept of Painting
– By Louis Doulas -
NESHAT AT THE HIRSHHORN Late Works/New Readings
– By Layla S. Diba -
WHEN ATTITUDE BECOMES A FOUNDATION Making the Impossible Possible in North Rhine-Westphalia andfor a Few Days in JulyNew York City
– By Thyrza Nichols Goodeve
ArtSeen
-
JJ PEET: MAGiCSTANCE
– By Melinda Lang -
Dina Brodsky: Cycling Guide to Lilliput
– By Kim Power -
ALBERT OEHLEN
– By Terry R. Myers -
ALEX KATZ
– By Hearne Pardee -
TORBJØRN RØDLAND Corpus Dubium
– By Charles Schultz -
Pearlstein/Warhol/Cantor: From Pittsburgh to New York
– By David Carrier -
RICHARD TUTTLE Both/And Richard Tuttle Print and Cloth
– By Phong Bui -
ANICKA YI: 6,070,430K of Digital Spit
– By Jody Graf -
JACOB EL HANANI Drawings
– By Taney Roniger -
WAEL SHAWKY The Cabaret Crusades
– By Yasi Alipour -
TAMARA ZAHAYKEVICH ZAHAYKEVICH
– By David Rhodes -
CAROLYN SALAS
– By Mary Proenza -
YOAN CAPOTE Collective Unconscious
– By Ann McCoy -
Storylines
– By Simone Krug -
Latin America in Construction: Architecture, 1955-1980
– By Michelle Standley -
Not A Painting
– By Kate Liebman -
Seeds from DiDonna
– By Darragh McNicholas -
A Sense of Place: Ellen Phelans Kenjockety
– By William Corwin -
ANDREA GALVANI The End
– By Martha Raoli -
Old Truths & New Lies
– By Chloe Wilcox -
ROBERT SWAIN Color Energy
– By Hovey Brock -
SERENA BOCCHINO Paintings
– By Jonathan Goodman -
MARY WEATHERFORD Red Hook
– By Nora Griffin
Critics Page
-
Linda Nochlin
– By Sarah Douglas -
Linda Nochlin
– By Eleanor Heartney -
Linda Nochlin
– By Patricia Cronin -
Against Closure
– By Nancy Princenthal -
Linda Nochlin
– By Isabelle Hyman -
Linda Nochlin
– By Deborah Kass -
Linda Nochlin
– By Peter R. Kalb -
Linda Nochlin
– By Tom McDonough -
Linda Nochlin
– By Agnes Gund -
The Art Historian According to Artists
– By Jovana Stokic -
Linda Nochlin
– By Natalie Frank -
Linda Nochlin
– By Joyce Kozloff -
Linda Nochlin: The Intersection of Herself and History
– By Carey Lovelace -
Lindas Realism
– By Eunice Lipton -
Linda Nochlin
– By Marni Kessler -
A Foot and a Sink
– By Jongwoo Jeremy Kim -
An Anecdotal Footnote
– By Elizabeth C. Baker -
At First Sight
– By Carol Ockman -
Linda Nochlin
– by Gerda Tardo, the Guerrilla Girls -
Linda Nochlin
– By Moira Roth -
Linda Nochlin
– By Zuka Mitelberg
Books
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Story Towards Story
– By John Domini -
Parataxis and Ponzi Schemes MARGARITA MEKLINA and SNEŽANA ŽABIC with Andrea Scrima
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Writing Out of Bounds
– By Becca Rothfeld -
Kids Today
– By Geoffrey Young -
The Good Fight
– By Hilary Reid -
Straddling Borders
– By Katharina Smundak -
Sand in the Machine
– By Dustin Illingworth -
Moved to Emulation
– By Catherine LaSota -
Beyond the West
– By Sara Webster -
The Lonely Hearts Club
– By Madeline Gressel -
Small Town Stasis by the Irish Coastline
– By Maya Solovej -
How To Treat Intersex People
– By Amy Deneson -
Versions and (Per)Versions or: Get Rich or Die Tryin'
– By Chris Campanioni -
Hewn In A Wild Workshop
– By Sam Huber -
Strange And Unusual Bodies
– By Casey Michael Henry
Music
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Brooklyn Rail Highly Selective Music Events
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Black Pussy, Whitesplaining DUSTIN HILL with Jordannah Elizabeth
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Wire Nears Forty
– By Dan Joseph -
In Search of a Most Excellent Guitar
– By Geoffrey Clarfield -
Outtakes
– By Steve Dalachinsky -
NIGHT FALLS ON RED HOOK: Little Black Egg Big Band and Oren Ambarchi at Pioneer Works, June 28
– By Michael Blair -
OLD-FASHIONED INSTRUMENTS, UP-TO-THE-MINUTE SOUNDS: Colleen at SubCulture
– By Jeff Tompkins -
Diary of a Mad Composer
– By George Grella
Dance
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Peek Into Paris
– By Gillian Jakab -
Paper Trail Will Rawlss Settlement House
– By Jaime Shearn Coan -
ROBOT Is Electric, but with Rapid Misfires Blanca Lis Robot
– By Erica Getto
Film
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BESTS AND WORSTS Keren Cytter
– By Christy Lemaster -
THE LIVES OF OTHERS Cannes 2015
– By Glenn Heath JR. -
LOST AND FOUND Resurrecting Mark Christophers 54
– By K. Austin Collins
Theater
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Tidal Endurance Sarah Cameron Sunde Brings 36.5 to the Netherlands
– By Nils Van Beek -
The Samuel French OOB Festival One Playwrights Journey
– By Becca Schlossberg -
Boardgames, Burgers and Mortality with Deborah Zoe Laufer
– By Robby Sandler
Fiction
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from Kid Coole
– By M. G. Stephens -
Chest Full Of Cantlets
– By Rob Stephenson -
Money
– By Douglas Glover -
The Hand Bag
– By Roxana Haloiu -
The Trouble With Recording Joy
– By J.T. Price -
Tragic Strip
– By Tom Motley
Poetry
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Four
– By Phillip Barron -
Four
– By Morgan Vo -
Window
– By Joe Fritsch -
Three
– By Corrine Fitzpatrick -
Lazy Sonnets / Hurried Sonnets
– By Chris Stroffolino -
dual fires
– By Sara Deniz Akant -
Two
– By Patricia Spears Jones -
Three
– By Joseph Lease
Art Books
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On Human Equality and the Nonhuman
– By Greg Lindquist
Field Notes
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Changing of the Guards
– By Pavlos Roufos -
Anti-workers Inquiry
– By Jacob Blumenfeld -
Brooklyn Heights Blows It: The Untold Story of Cadman Plaza
– By Lorna Salzman