Art In Conversation
In the pantheon of art writers Peter Schjeldahl holds a special place near the top as one of our greatest living critics. He entered the New York scene in the 60s, a poet and college dropout escaping a Lutheran upbringing in Minnesota.
An artists late works provide easy targets for criticism because they often do not correspond to the accepted readings of the artists earlier, iconic work. That late works often mark a new beginning can be seen in the careers of long-lived artists such as Picasso, or more recently, Alex Katz. A retrospective of the thirty-odd year career of Iranian-American Shirin Neshat (b. 1957, Iran) currently on view at the Hirshhorn Museum in Washington, D.C., Shirin Neshat: Facing History, affords a welcome opportunity to address this question.
WHEN ATTITUDE BECOMES A FOUNDATION
By Thyrza Nichols Goodeve
Making the Impossible Possible in North Rhine-Westphalia andfor a Few Days in JulyNew York City
Nowhere is the myopic New York-centrism that Saul Steinberg so famously captured in his March 29, 1976 cover of the New Yorker as ubiquitous as it is in the art world. Although international travel is a given for most art professionals, in 2015 the art-infested boroughs of New York City, branching out from Soho to Chelsea, to Williamsburg, Long Island City, and Bushwick, with museums expanding in ways both depressing (MoMA) and exhilarating (the Whitney), it is hard not to continue to call New York the center of the art world.
Among the shooters, there are commonalitiessocial isolation, feelings of persecution, psychotropic drug use, obsessive playing of violent video games (like Call of Duty or World of Warcraft), etc.that experts will, in every aftermath, desperately try to collate and quantify with the hope of achieving some understanding of a phenomenon that has become appallingly familiar in our culture.
From the Publisher & Artistic Director
In recent weeks we have witnessed divisive ethos continuing to spread across the world, especially in Syria, Tunisia, and Nigeria, and similar occurrences have befallen the United States.
Editor's Message Guest Critic
Linda Nochlin (b. 1931) grew up an only child in Crown Heights, Brooklyn, in a secular, leftist Jewish family where intellectual achievement and artistic appreciation were among the highest goals, along with social justice.