Im not the first to comment on the selfie-mania that accompanied last summers most popular New York art-world event, Kara Walkers A Subtlety.
Most of us have, at least once, had the strange sensation of opening a great text or otherwise reputable book only to find it impenetrable and unprofitablesometimes flatly unreadable. We may also have had the more pleasant sensation of picking that same book up again, sometimes years later, to find that it has changed somehow: the book really is great. This reading list is devoted to the sensation of revisiting a book to find it transformed.
Marcel Duchamp: La Peinture, Meme, the current exhibition at the Centre Pompidou in Paris, is a refreshing new look at Duchamp with many surprises. The title is fittingly a double entendre.
The daughter of artist Susan Bee and poet Charles Bernstein and sister of artist and writer Felix Bernstein, Emma Bee Bernstein, was a beautiful, brilliant, and prolific third-generation artist whose mysterious suicide at 23 in the Peggy Guggenheim Museum in Venice, Italy, in 2008 shocked and saddened her friends and family and the New York art world.
Critics Page In Conversation
Jazz, at its best and most essential, is a way of making music that is embodied in the musicians, in what they are imagining and playing in the moment. A fundamentally oral tradition, and one of the most sophisticated of its kind, jazz is far less ably served by written and recorded documents than almost any other kind of creative human activity. Jazz is the players; know jazz by following them, seeing them, hearing them.
The Rails selection of the best art books of 2014.
From the Publisher & Artistic Director
How can ecological and social forces be transformative? In her recent AICA-USA Distinguished Critics Lecture, Carolyn Christov-Bakargiev explored this question through the lens of Lacans fascination with topology and the creation of chain relations or knots.
Editor's Messsage Guest Critic
When Phong Bui asked me to edit the Critics Page of the Brooklyn Rail I felt I could not refuse, since its the only art magazine I read anymore. Ezra Pound said culture is news that stays news, and for me the Brooklyn Rail is the news.