The Right Thing
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Bishakh SomBishakh Som’s work has appeared in Hi-horse, Blurred Vision, Pood, Specs and the acclaimed Graphic Canon series. He received the Xeric grant in 2003 to publish his first collection, Angel. His watercolor paintings have been shown at the Bannister Gallery at Rhode Island College and at Animal Magic, a solo show at ArtLexis Gallery in Brooklyn.
RECOMMENDED ARTICLES
The Hypothesis of the Stolen Painting
by Dalia NeisMAY 2019 | Critics Page
In 1978, the Chilean filmmaker/writer, Raúl Ruiz, was commissioned by French television to make a documentary on the painter/writer, Pierre Klossowski. Over the course of its production, Ruiz abandoned this documentary to make The Hypothesis of the Stolen Painting—a feature-length film which smuggled Klossowski’s theories of art into a neo-baroque portrait of an imaginary nineteenth-century artist, Fredéric Tonnerre, whose exhibition of a series of seven paintings caused a major yet mysterious scandal in the Parisian court.
Isabelle Graw's The Love of Painting: Genealogy of a Success Medium
by Lauren PalmerSEPT 2018 | Art Books
What has a painting historically been, and what is it now? In her new book The Love of Painting: Genealogy of a Success Medium, art historian, critic, and educator Graw ruminates on Harrison’s paintings, and the work of Martin Kippenberger, Avery Singer, and Marcel Broodthaers, among others, tracing the origins of the medium, its evolution, and its enduring significance.
James Hyde: Western Painting—Magnasco
by Alfred Mac AdamNOV 2018 | ArtSeen
In Western Painting--Magnasco James Hyde makes a brilliant case for abstraction—as long as we understand what he means by that idea.
Painting After Postmodernism:
Belgium-USA-Italy
by Tom McGlynn
MAY 2018 | ArtSeen
Barbara Rose’s conception of Painting After Postmodernism (PAP) seems to want to address, in Owen’s terms, the “static, ritualistic and repetitive” aspect of the postmodernist turn.
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