Fiction
The Right Thing
Contributor
Bishakh SomBishakh Som’s work has appeared in Hi-horse, Blurred Vision, Pood, Specs and the acclaimed Graphic Canon series. He received the Xeric grant in 2003 to publish his first collection, Angel. His watercolor paintings have been shown at the Bannister Gallery at Rhode Island College and at Animal Magic, a solo show at ArtLexis Gallery in Brooklyn.
RECOMMENDED ARTICLES
Thornton Willis: A Painting Survey, Six Decades: 1967–2017
By Tom McGlynn
MAY 2022 | ArtSeen
Thornton Willis prefers the direct approach to painting. His constructive sensibility, a preoccupation with the architecture of space, lays out the basic proposition that painting is a vital projection of actual line, shape, and color. This keeping it simple makes his paintings eminently accessible to the viewer, whom he addresses as an existential equal.
Gerhard Richter: Painting After All
By Jessica HolmesMAY 2020 | ArtSeen
If someone had asked me six weeks ago to write a review of an exhibition I couldn’t physically go to see, I would have said no. Well, that was six weeks ago. On March 4th, the Met Breuer opened Gerhard Richter: Painting After All, a major show of work by one of the most celebrated artists of the late‐20th and 21st centuries.
Painting without Edge
By Suzanne SilverOCT 2020 | Critics Page
I write about the edge in my own painting as a way of situating myself in the world and figuring out how to receive it.
Radical Figures: Painting in the New Millennium
By Fraser BroughMAR 2020 | ArtSeen
Here, bodies luxuriate, gorge, writhe, and eat themselves, squirting, smoking, kissing, suffering, even sculpting their own dismembered legs. The great plethora of bodily experience is imagined in all of its infinities, the expressive potential of the human figure as boundless as the ways of painting it.
