Table of Contents
Editor's Message
-
Vulnerability and its Vicissitudes
– By Thyrza Nichols Goodeve
Publisher's Message
-
Dear Readers
– By Phong Bui
Local
-
Barclays Center: Brooklyn’s “Community Arena”?
– By Norman Oder -
The Political Education of Young Wilhelm
– By Theodore Hamm -
Seaside Stories
– By Saskia Kahn -
Orthodox Women Rabbis? Maybe.
– By Laila Caron -
Walls That Outlast Sandy
– By Eleanor J. Bader
Express
-
Inside Moral Mondays
– By Alex Kotch -
How to Spot a Junkie
– By Christopher Ketcham -
An Ode to “Famous” Seamus Heaney
– By Williams Cole -
A Pack of Damn Lies
– By Matt Igoe -
Breaking Bad vs. Badly Broken
– By Johannah Rodgers -
The End of Vermont Yankee
– By Jeff Unsicker
Art
-
David Novros: Death, Ownership, and Public Art Against the Text “Art is Immortal”
– By Alan Dugan -
REMEMBERING Stephen Antonakos (1926 – 2013)
– By Cordy Ryman, Merrill Wagner , and Nathan Kernan -
ALEXIS ROCKMAN with Jonathan T. D. Neil
-
ATLAS OF INTIMACY JILL MAGID with Jarrett Earnest
-
Protecting Artists and Galleries in the Wake of Hurricane Sandy: A Checklist for Artist-Gallery Contracts
– By Judd Grossman and Michael Straus -
JEFFREY DEITCH with David Carrier and Joachim Pissarro
-
VULNERABILITY AS CRITICAL SELF-KNOWLEDGE ERNESTO PUJOL with Thyrza Nichols Goodeve
-
WHAT IS ART? Elbow to Elbow
– By Bill Jensen NYC, 2007-2012 -
JOSHUA ABELOW with Jason Stopa
-
Warhol and Rauschenberg Foundations Urge the Court in the Richard Prince Case to Take a Broad View of Appropriation Art
– By Michael Straus
ArtSeen
-
Survey: Modern Iranian Art
– By Bansie Vasvani -
JOAN WALTEMATH: The Dinwoodies, 2005-8: graphite drawings on mylar
– By Kara L. Rooney -
The Importance of Being Bruce High Quality
– By Jeremy Butman -
BARBARA TAKENAGA New Paintings
– By Robert Berlind -
EBERHARD HAVEKOST Titel
– By Terry R. Myers -
CHARLINE VON HEYL
– By Corina Larkin -
BARRY MCGEE
– By Jonathan Goodman -
ALDO TAMBELLINI We Are the Primitives of a New Era
– By Kara L. Rooney -
Flower Garden
– By Michael Pepi -
GLORIOUS MADNESS Art, Improbability, and Jean Dubuffet’s Excursions en no man’s space
– By Alana Shilling-Janoff -
SOCIÉTÉ RÉALISTE A rough guide to Hell
– By Paula Burleigh -
MATTHEW DAY JACKSON Something Ancient, Something New, Something Stolen, Something Blue
– By Alexander Shulan -
SONYA BLESOFSKY Renovation
– By Darren Jones -
Julian Pretto Gallery
– By Pac Pobric
Critics Page
-
August 26, 2013
– By Yvonne Rainer -
Metaphor and the Feeling of Fact
– By Steven Henry Madoff -
My Sad Little Tree
– By Judith Rodenbeck -
Wall of Water
– By Chloé Rossetti -
On the Aesthetic of Vulnerability
– By Mark Dery -
Soft Body
– By Claire Pentecost -
Poems
– By Tom McGlynn -
Radical Vulnerability
– By Jerry Saltz -
Crushes on Art
– By Jarrett Earnest -
Dear Thyrza
– By Bill Berkson -
BEAUTIFUL VIOLATION Art and the Predicament of Emotional Exposure
– By Alana Shilling -
The Hobgoblins of Bad Art
– By Daniel Kunitz -
On Vulnerability
– By Tim Rollins -
Art in the Age of Vulnerability
– By Ann McCoy -
I’m Not Sure When It Happened
– By David Ross -
Mind Fuck Building
– By Madeline Schwartzman -
The Wisdom of Insecurity
– By Taney Roniger -
Right Now the Future is Dark
– By Michael Taussig
Books
-
The Chase Goes On
– By Katharina Smundak -
Landscape With Yellow Birds: The Selected Poems of José Ángel Valente
– By Pablo Medina -
The Worst Story Ever Told
– By Christopher Michel -
Sibum in Nighttown
– By John Domini -
Tallying a Life
– By Amy Cavanaugh -
Maternity Mythos
– By Carmen Giménez Smith -
All Too Human
– By Scott Cheshire -
The Sum of Things
– By Jeremy Polacek -
Bryson, Inc
– By Allen Guy Wilcox
Music
-
Skeletal Improvisations and Thrilling Crescendos of Madness: Spy Music Fest 2013
– By Christopher Nelson -
Fractured Visuals: Oneohtrix Point Never's R Plus Seven
– By Andrew Cappetta -
A SOCIAL ORGANIZATION A Decade of ISSUE Project Room
– By Marshall Yarbrough -
Outtakes
– By Steve Dalachinsky
Dance
-
Only Disconnect
– By Ryan Wenzel -
So This Dance Walks Into a Museum...
– By Brian Schaefer
Film
-
Musical Realism: Matt Porterfield’s I Used to Be Darker
– By Paul Felten -
PAWEŁ WOJTASIK, TOBY LEE, AND ERNST KAREL with Chi-hui Yang Single Stream at the Museum of the Moving Image
-
Change You Can Believe In Shaka King’s Newlyweeds and Neil Drumming’s Big Words
– By Brandon Harris -
Formal Logic Materials and Methods at the 2013 Festival del film Locarno
– By Rachael Rakes and Leo Goldsmith -
Upside Down Cameras and Other Wonders Ernie Gehr’s Signal—Germany on the Air and Side/Walk/Shuttle at Light Industry, October 8
– By Benjamin Schultz-Figueroa
Theater
-
Visions of Taylor Mac Good Person of Szechwan Hits the Public
– By Diana Stahl -
ROSEMARY MOORE with Lizzie Olesker Side Street and the Dead Possible
-
The Very Very Very Best City in the Entire World In The Downtown Loop with Ben Gassman
– By Paul Ketchum -
A Gender Bending Roadtrip Deep into the Heartland: The TEAM’s RoosevElvis
– By Sherri Eden Barber
Fiction
-
SOS
– By Mu Xin | Translated from the Chinese by Toming Jun Liu -
For the Voice, For the Fragile Echo A NOVELLA IN 3 PARTS, 3 of 3.
– By Munira al-Fadhel | Translated from the Arabic by William M. Hutchins -
Six Enclosures from Ana Patova Crosses a Bridge
– By Renee Gladman -
[Untitled Summer Journal Project #10 Revisited]
– By Joshua Cohen -
When the Time Comes
– By Josef Winkler -
from The Autobiography of a Corpse
– By Sigizmund Krzhizhanovsky, translated from the Russian by Joanne Turnbull with Nikolai Formozov, out now from the New York Review of Books -
Mrs. Meurt
– By Jeremy M. Davies -
Crazy Train
– By Molly Roth -
Arrowschmidtt!!!
– By Arryan Decatur -
Tragic Strip
– By T. Motley -
Lao Area
– By Clement Baloup
Poetry
-
The Vargas-Vargas Affair
– By Joe Pan -
from The Summer Flood Came Home
– By Stefania Irene Marthakis -
Two
– By Ted Dodson
Art Books
ADVERTISEMENTS
