Fiction
I Remember Beirut
Contributor
Zeina AbirachedZeina Abirached was born in 1981 in Beirut, Lebanon. She studied at the Académie Libanaise des Beaux-Arts (ALBA) in Beirut and at the École Nationale Supérieure des Arts Décoratifs (ENSAD) in Paris. The main subject of her work has been the Lebanese Civil War. Mourir, partir, revenir: Le jeu des hirondelles was published in English translation as A Game for Swallows: To Die, To Leave, To Return (Graphic Universe/Lerner Books, 2012), for which it received a French Voices grant. I Remember: Beirut will also be published in English by Lerne Books, in 2014. She currently lives in Paris, where she continues to draw comics. She will attend the Brooklyn Book Festival in September 2013.
RECOMMENDED ARTICLES
From Beirut, Borikén, and Brooklyn with Love
By Meghan McDermottSEPT 2020 | Critics Page
In July 2020, Sarah Aoun, chief technologist at the Open Technology Fund (OTF) and Teresa Basilio Gaztambide, Network Strategy Director at MediaJustice met with Meghan McDermott to talk about their work at the intersection of digital rights, human rights, movement organizing, and the political moment.
Whistler to Cassatt: American Painters in Paris
By Joe FyfeJUL-AUG 2022 | ArtSeen
Whistler to Cassatt illustrates the story of the changes in American art that took place after the Civil War. Many artists turned away from the methodology of the Hudson River School, and it became the norm for literally hundreds of them to train in Paris, with its superior art academies and the Louvre’s masterworks available to study and copy; the entrance to the exhibition includes a wonderfully evocative photo mural of the Eiffel Tower under construction.
Helga Paris’s Women at Work
By Billy AnaniaJUL-AUG 2022 | Art Books
For Paris, politics was secondary to her love for everyday people. Much like her sitters, Paris earned her daily bread and socialized at East Berlin beer halls, recognizing herself in the anonymous masses that became her muse.
9. November and December, 1955, Paris
By Raphael RubinsteinJUNE 2022 | The Miraculous
A German composer, who was deported from the United States seven years earlier for being, as one right-wing politician put it, “the Karl Marx of music,” is hired by a French director to score a documentary film about the Holocaust. From Paris, he writes home to his wife in East Berlin: “The film is grandiose, horrible, showing monstrous crimes...regrettably, the film people here are putting me under pressure to finish the whole thing in ten days even though the film is barely finished.
