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A.M.E. Zion Church, a stop on the Underground Railroad in Nyack. ">
Contributor
Bill BatsonBILL BATSON illustrates and writes a weekly column on NyackNewsAndViews.com called “Nyack Sketch Log.” His stories about the sketches can be found on that log. Last June, Batson produced the world’s first “Flash Sketch Mob” in Nyack. His work can be seen at www.billbatsonarts.com.
RECOMMENDED ARTICLES
Listening In: Version and Inversion
By Scott GuttermanJUL-AUG 2020 | Music
In this column last month, for a piece called “Vision and Revision,” I concluded with a poem by Rumi (“The Guest House”) about the inevitability of change, and the need to accept it. The story struck a fairly optimistic note. But if I am honest, my predominant feeling lately has been one of dread. To open the newspaper is to unleash a cascade of barely imaginable stories. Yet how can we be surprised when we knew? The answer: We don’t want to know.
Jesse Chun and Tiffany Jaeyeon Shin: stain begins to absorb the material spilled on
By Diana Seo Hyung LeeFEB 2020 | ArtSeen
One may feel like an intruder walking into Jesse Chun and Tiffany Jaeyeon Shin’s stain begins to absorb the material spilled on at DOOSAN Gallery. Perhaps this is caused by encountering Tiffany Jaeyeon Shin’s Onggi (as if from a firm esophageal column) (2019) at the entrance, a gathering of Korean glass onggi vases on a bed of soil that have an authoritative aura in their multitude and containment. There is a sense of walking into the midst of a process that does not readily reveal itself.
Arlene Shechet: Skirts
By David RhodesAPRIL 2020 | ArtSeen
With an intense emphasis on color, the multi-tiered, often column-like structures achieve a fresh synthesis of painting and sculpture. This is more than it may at first seem: Shechet has long been interested in ideas from the West and the East—both Freudian psychoanalysis and Buddhist teaching—a practice that allows for the invention she excels at to encompass non-formal factors, or rather to integrate idea, desire, and process.
Baseera Khan: snake skin
By Alan GilbertDEC 19-JAN 20 | ArtSeen
Percy Bysshe Shelley’s poem “Ozymandias” memorably describes the eventual fate of all empires: “boundless and bare / The lone and level sands stretch far away.” And while it has been difficult to imagine alternatives to the current world order that arose after the collapse of the Berlin Wall three decades ago, cracks in the façade are multiplying. At Baseera Khan’s exhibition snake skin, a fourteen-foot-tall by six-foot-wide column constructed from pink foam insulation is horizontally sliced into seven similarly-sized pieces that are stacked, stood upright, and leaned across the gallery.
