Poetry
Hold the Line
Contributor
Matt LongabuccoMatt Longabucco is the author of several chapbooks, including Heroic Dose (Inpatient Press, 2019). His book, M/W: An essay on Jean Eustache’s La maman et la putain, is forthcoming from Ugly Duckling Presse. Poems and essays have appeared recently in Mirage, Lana Turner, and The Poetry Project Newsletter. He teaches writing, innovative pedagogy, and critical theory at New York University and Bard College’s Institute for Writing & Thinking.
RECOMMENDED ARTICLES
Death Poems
By Michael McClureAPRIL 2021 | Poetry
Since his 1955 debut at the Six Gallery reading where Allen Ginsberg first read "Howl," Michael McClure (1932-2020) has been one of the most significant and well-known poets in the U.S. Mule Kick Blues and Last Poems, the final book he completed in his lifetime, appears this month from City Lights Books.
Eve Fowler: New Work
By Ksenia SobolevaFEB 2023 | ArtSeen
The exhibition of Fowler’s work currently on view at Gordon Robichaux shows us that her feminist pursuits are far from abandoned. Fittingly titled Eve Fowler: New Work, the solo show consists of a film, a series of collages, and a nine-channel video installation.
A Selection of Drain Poems
By Ken L. WalkerMAY 2022 | Poetry
Ken L. Walker has published two chapbooks—Antworten (translations of Georg Herwegh from Greying Ghost) and Twenty Glasses of Water from Diez. He has poems and translations in Boston Review, Tammy, Seattle Review, Atlas Review, and ANMLY. His prose and reviews can be found in The Poetry Project Newsletter, Hyperallergic, and Diagram. He holds an MFA from Brooklyn College, works in advertising, and spends the rest of his time documenting drains.
Miranda Seymour's I Used to Live Here Once: The Haunted Life of Jean Rhys
By Elaine SavoryDEC 22–JAN 23 | Books
Seymour’s hard work and fundamental respect for Rhys is evident all through this biography, but so also are her judgements, omissions, and preferences (in this she is no different than most biographers). But it is good to see Rhys come alive at times as if she could speak back for herself.
