Poetry
Hold the Line
Contributor
Matt LongabuccoMATT LONGABUCCO is the author of the chapbooks Heroic Dose (Inpatient, 2019), Athens Notebook (Imp, 2017), and others. Poems and essays have appeared recently in Folder, Lana Turner, and The Poetry Project Newsletter. He teaches at New York University and Bard College, and lives in Brooklyn.
RECOMMENDED ARTICLES
Dan Egan's The Death and Life of the Great Lakes
By Weston CutterJUL-AUG 2017 | Books
I’m as anti-pun as the next guy, so forgive me: I was sucked in by the sea lampreys.
Crossing the Line: Germaine Acogny's Somewhere at the Beginning
By Rennie McDougallNOV 2019 | Dance
In Germaine Acogny’s performance Somewhere at the Beginning—directed by Mikaël Serre and presented at La MaMa theater as part of the Crossing the Line Festival—Acogny does strike her forehead and mark the ground and curl her wrists over her head, but it is her presence within these actions that bring her performance to life, something not easily translated into neat sentences.
Five Poems from Pavilion
By Gabriel PalaciosNOV 2019 | Poetry
Gabriel Palacios lives and writes poems in Tucson, Arizona, where he recently received an MFA in creative writing at the University of Arizona. Recent work can be found in West Branch, The Volta, Typo Magazine, Territory, Spoon River Poetry Review and Bayou Magazine.
Gillian Wearing: Life
By Osman Can YerebakanNOV 2018 | ArtSeen
The word “life” is a fine title for any exhibition because, in the end, isn’t everything surrounding us simply life? But in the case of Gillian Wearing’s Life, which is the largest exhibition of the artist’s work by a U.S. institution, it proves to be a perfectly fitting title right from the beginning.
