Poetry
FOUR
from Portraits of the Artists as Their Own Subjects




Contributor
Mike LalaMike Lala is the author of Exit Theater, winner of the 2016 Colorado Prize for Poetry, and the chapbooks In the Gun Cabinet and Twenty-Four Exits: A Closet Drama (2016). Other works include the libretto for Oedipus in the District (OperaComp, The Juilliard School and National Sawdust, 2018) and Infinite Odyssey (Pioneer Works/Contemporary Temporary: Sound Works and Music, 2017; Patient Presses, 2019). He lives in New York. www.mikelala.com
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Brooklyn 2020
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Authors say that writing sometimes writes itself, notably when their characters seem to speak out in their own voice. Visual artists claim a pristine silence for their own, which they prize, eye and hand alone together gladly, no words. The word that breaks that silence is often recriminatory, and resented. It came upon a scene uninvited, that should not have been witnessed. Words, they say, compromise sight, and the silent work of the eye.

Bel Canto: Contemporary Artists Explore Opera
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