Fiction
The Adventures of Time Traveling Omelette
Contributor
Andrea TsurumiAndrea Tsurumi is an illustrator and cartoonist who likes (in no particular order) history, absurdity, dogs and monsters. Her work has appeared in The Nib, The Rumpus and is forthcoming in The Graphic Canon of Children's Literature. You can see more of it at: andreatsurumi.com
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Out of (This) Time — Brief Notes from “Astrodoubt and the Quarantine Chronicles”
By Luca BuvoliSEPT 2021 | Critics Page
I had just returned to New York from a month traveling in India, where I had enjoyed rediscovering, among other things, the power of narration in visual arts (in the carvings in Hindu temples, in miniature paintings, etc.) and of a mythology and conception of time outside the Newtonian one. This was a couple of weeks before Covid-19 arrived in the US and I was working on one of the 180 ideas/projects that comprise Space Doubt, a work conceived as a ten-year “expedition” started thanks to a collaboration that I developed with NASA scientists and the Smithsonian National Air and Space Museum, Washington, D.C., exploring an idea enabling me to find the courage to use some dark humor about my aggressive and advanced cancer of a few years ago—luckily and hopefully cured—and cancer in general.
Raqs Media Collective: HUNGRY FOR TIME
By Klaus SpeidelDEC 21-JAN 22 | ArtSeen
While some visitors deemed the exhibition “refreshing” or “exciting,” a majority also voiced anger, disappointment, and incomprehension in the visitor’s book of the Gemäldegalerie der Akademie der bildenden Künste, the paintings gallery of Vienna’s art academy, in the face of Hungry for Time, an exhibition curated by Raqs Media Collective from New Delhi.
Dara Birnbaum’s Note(s): Work(ing) Process(es) Re: Concerns (That Take On/Deal With)
By Jennie WaldowDEC 21-JAN 22 | Art Books
Materially detached from Birnbaum’s finished products, her working documents chart the theoretical motivations behind each piece, along with the novel technical solutions she devised to translate thorny concepts into external space. While this is not a publication for the casual reader, its complexity and resolute physical presence dovetail with the concerns of Birnbaum’s body of work, linking means and ends.
COVID, Arts Funding, and the Gig Economy
By Gordon Beeferman and David FriendNOV 2021 | Field Notes
One of the groups of workers most suddenly and severely affected by the economic fallout from the public health crisis were those working in the cultural sector, especially in the performing arts. As freelance musicians who have both worked in New York scenes for decades, this included us.
