Fiction
How It Is
Contributor
Bianca StoneBianca Stone is author of The Mobius Strip Club of Grief (Tin House, 2018), Someone Else's Wedding Vows (Octopus Books and Tin House, 2014); the children’s book A Little Called Pauline, with text by Gertrude Stein, (Penny Candy Books, 2020). Her newest poetry collection is What is Otherwise Infinite (Tin House, 2022). She teaches poetry and hosts a podcast as Creative Director at the Ruth Stone House in Vermont.
RECOMMENDED ARTICLES
Candor Arts: The Chicago-Based Press Reenvisioning Equity in Arts Publishing
By Leah GallantAPRIL 2022 | Art Books
The organization aims to restructure art publishing to fairly compensate all contributors, rather than one in which artists pay exorbitant costs to publish their work. These publishing projects function like an archive of the Chicago arts during the six years the press was active. Ranging from poetry chapbooks to photo portfolios, the more than editions produced also include the monographs accompanying major museum exhibitions.
Ethan Ryman: Series: Still Lives and Dioramas
By Phong BuiDEC 21-JAN 22 | ArtSeen
Ethan Ryman’s exploration of his idiosyncratic idiom that lies in-between the functions of photography and sculpture is distinctly unique in that he is neither a photographer nor a sculptor. Yet, in his particular and singular pursuit in both practices Ryman appears to be singularly particular.
Surrealist Collaboration: Poetry, Art, Literature, Ingenuity and Life Itself
By Mary Ann CawsFEB 2022 | ArtSeen
A stupendous exhibit. I won’t put an exclamation point there, for that punctuation would be repeated, excessively. Here is a fine example of what a gallery can do in an exhibition if the focus is on a specific kind of thing, in this case on an historic collective and collaborative art-making activity, repeated differently as an off and on ritual event.
Through the Uncertainty, Agnes Borinsky and the Working Group for a New Spirit Are Taking Inventory of Our Lives
By Daniel KraneNOV 2020 | Theater
How can we find assurance and community in our upside down world? It is an especially taxing effort for theater artists, whose work and livelihoods depend on collaboration and communion. Enter the Working Group for a New Spirit, playwright Agnes Borinsky’s free initiative that offers a virtual home for transient artists, seminars in how to take stock of our lives, and more. Daniel Krane dives into this effort—”a series of gatherings for clarity and direction in our messy moment of distance and collapse”—that the Bushwick Starr is hosting now through December 7.
