ArtSeen
Alternative Economies, Alternative Societies
Contributor
Oliver ResslerOLIVER RESSLER produces exhibitions, projects in the public space, and films on issues such as economics, democracy, forms of resistance, and social alternatives. www.ressler.at.
RECOMMENDED ARTICLES
Artists Space
By Nancy PrincenthalJUL-AUG 2020 | ArTonic
Shocking but true: Artists Space, essential model for a generation of feisty, funky, youth-driven nonprofits, is nearly half a century old. More surprising still, initially it depended entirely on government support, at a time when both the governor of New York (Nelson Rockefeller) and the US president (Richard Nixon, newly re-elected) were Republicans. Promising to make up for a dearth of opportunity for young artists, Artists Space’s founders rounded some up and offered them the chance to call the shots, all on the state’s dime.
Shaun Leonardo: The Breath of Empty Space
By Louis BlockMAR 2020 | ArtSeen
Shaun Leonardo’s current exhibition posits a simple act of resistance: to excavate these optical memories, sifting through their noise. In his repeated drawings of news photographs surrounding violence against Black men, Leonardo builds a system that questions a singular image’s capacity for truth-telling.
Mike Childs: The Journey: Grids, Color and Curvilinear forms, 2004 to 2020
By David RhodesJUL-AUG 2020 | ArtSeen
Toronto-born and South Bronx-based Mike Childs has been working in New York since 1995. In this exhibition, 28 paintings from the last 16 years are presented, revealing a constant and evolving exploration of how humans negotiate their surrounding modularly built, urban environment. Patterns and contiguous space interface, interlace, and proliferate like so many passing surfaces and colors, changing with the passage of time or the panorama of a gaze. Walls, graffiti, signage, and bridges of the Bronx all began to fold into the flux of Childs’s images during his time living in the neighborhood.
Specific Forms
By Mary Ann CawsFEB 2020 | ArtSeen
So many delights here, so many forms that I can’t help comparing with other displays of form, even within one single author like Lydia Davis as she works out the ways (that’s the word she uses) of treating a topic.
