ArtSeen
Alternative Economies, Alternative Societies




Contributor
Oliver ResslerOLIVER RESSLER produces exhibitions, projects in the public space, and films on issues such as economics, democracy, forms of resistance, and social alternatives. www.ressler.at.
RECOMMENDED ARTICLES

Modes of Resistance: Berwick Film and Media Arts Festival 2020
By Marius HrdyDEC 20-JAN 21 | Film
The picturesque wonders of Berwick-upon-Tweed trespassed into the liminal space of memory and virtuality this year as the 16th edition of Berwick Film and Media Arts Festival took place entirely online.
Artists Space
By Nancy PrincenthalJUL-AUG 2020 | ArTonic
Shocking but true: Artists Space, essential model for a generation of feisty, funky, youth-driven nonprofits, is nearly half a century old. More surprising still, initially it depended entirely on government support, at a time when both the governor of New York (Nelson Rockefeller) and the US president (Richard Nixon, newly re-elected) were Republicans. Promising to make up for a dearth of opportunity for young artists, Artists Spaces founders rounded some up and offered them the chance to call the shots, all on the states dime.
Side Issues
By George RushOCT 2020 | Critics Page
With the notable exception of the brilliant Beverly Fishman, who encouraged us to question all forms of painting, my education didnt really consider the sides of paintings. They were painted whitethat ever-problematic stand-in for neutralityor stained by action on the front, but more often simply ignored.
Mike Childs: The Journey: Grids, Color and Curvilinear forms, 2004 to 2020
By David RhodesJUL-AUG 2020 | ArtSeen
Toronto-born and South Bronx-based Mike Childs has been working in New York since 1995. In this exhibition, 28 paintings from the last 16 years are presented, revealing a constant and evolving exploration of how humans negotiate their surrounding modularly built, urban environment. Patterns and contiguous space interface, interlace, and proliferate like so many passing surfaces and colors, changing with the passage of time or the panorama of a gaze. Walls, graffiti, signage, and bridges of the Bronx all began to fold into the flux of Childss images during his time living in the neighborhood.