Nozomi Yamashita’s Photo Zines

By Megan N. Liberty

APRIL 2021 | Art Books

Using collaged inkjet printed images, tracing paper, and embroidered beaded felt, the artist creates an object that reads as both amateurish and skillfully crafted—qualities often set at odds. Yamashita elevates these private practices to the public practice of publishing, making space for the concerns and desires of girls and young women.

Whistler to Cassatt: American Painters in Paris

By Joe Fyfe

JUL-AUG 2022 | ArtSeen

Whistler to Cassatt illustrates the story of the changes in American art that took place after the Civil War. Many artists turned away from the methodology of the Hudson River School, and it became the norm for literally hundreds of them to train in Paris, with its superior art academies and the Louvre’s masterworks available to study and copy; the entrance to the exhibition includes a wonderfully evocative photo mural of the Eiffel Tower under construction.

PHOTO | BRUT

By Lyle Rexer

FEB 2021 | ArtSeen

Is there such a thing as outsider photography? The term “outsider” has come to mean either self-taught, outside the art establishment or, in the more extreme version, cut off from many forms of social intercourse by mental illness or incarceration.

Julia Jo: Riptide

By Annabel Keenan

FEB 2023 | ArtSeen

In her first US solo show, Riptide at Charles Moffett, Julia Jo embarks on a journey of self-discovery, examining interpersonal relationships in figural paintings that are obscured with swirls of body parts, hints of objects, and glimpses of interiors. Jo’s works are all intimate, rooted in the artist’s own experiences of moving from Seoul, her birthplace, to the US, where she has continuously relocated, a journey that left her with truncated relationships, miscommunications, and in a constant state of reintroduction and reinvention.