Nozomi Yamashita’s Photo Zines

By Megan N. Liberty

APRIL 2021 | Art Books

Using collaged inkjet printed images, tracing paper, and embroidered beaded felt, the artist creates an object that reads as both amateurish and skillfully crafted—qualities often set at odds. Yamashita elevates these private practices to the public practice of publishing, making space for the concerns and desires of girls and young women.

Two Friends

By Freddy Gomez

APRIL 2022 | Field Notes

I have two friends. One is named Petro. Without warning, he left Paris and his job as a construction worker to return to his native Ukraine. This was a few days before Putin's “special operation.” He went just like that, to be with his family, in case they needed him. The other friend is named Oleg. An older student in his spare time, he earns his living as a waiter in a Russian restaurant in Paris. I learned from him that Petro had left. Worried, he wanted to know if I had heard from Petro. I didn't have any news. I had put Oleg and Petro in contact with each other a few years ago.

PHOTO | BRUT

By Lyle Rexer

FEB 2021 | ArtSeen

Is there such a thing as outsider photography? The term “outsider” has come to mean either self-taught, outside the art establishment or, in the more extreme version, cut off from many forms of social intercourse by mental illness or incarceration.

Candor Arts: The Chicago-Based Press Reenvisioning Equity in Arts Publishing

By Leah Gallant

APRIL 2022 | Art Books

The organization aims to restructure art publishing to fairly compensate all contributors, rather than one in which artists pay exorbitant costs to publish their work. These publishing projects function like an archive of the Chicago arts during the six years the press was active. Ranging from poetry chapbooks to photo portfolios, the more than editions produced also include the monographs accompanying major museum exhibitions.