by Daniel Wilson
SEPT 2017 | Music
Music’s capacity to elicit echoes of personal memory in listeners has received attention from writers in recent years. Unless one has personally experienced a “Proustian moment” in sound, a cynical reader might dismiss such writings as woolly meanderings. The phenomenon is, of course, real, but finding concrete, universally acceptable examples is problematic because the subjective effect varies from person-to-person.
JUNE 2017 | Music
Nicholas Payton’s once-fiery blog has been quiet lately. After his provocative 2011 rejection of the word “jazz” in favor of Black American Music, Payton has mostly retreated from the volatile jazz internet.