A few days before Holly Zausners exhibition of recent collages and film opened at Postmasters (June 21 August 3), Raphael Rubinstein visited the artist in her New York studio to talk about her work across various media and why she decided to title the show A Small Criminal Enterprise.
Joan Simon has worked as a writer, editor, and curator over the past 30 years. Of her approach to researching subjects, Simon observes, I take a bath in it. Get immersed in it. And then see, feel, sense, think about, whats there, the details as well as emerging patterns, and follow-up with further research.
Contemporary art is an easy thing to hate. All the meaningless hype, the identikit openings in cities that blur into one long, banal, Becks beer fuelled anxiety dream from which there is no escape.
Carlos Brillembourg and Dan Graham spoke at length about contemporary architecture, Grahams deep knowledge of which comes from his reading of the complex history of modern architecture and the subtle interconnections between different architects, their lives and the cities where they worked.
On the occasion of the current exhibition Fashioning the Object: Bless, Boudicca, Sandra Backlund at the Art Institute of Chicago, Barry Schwabsky met with Bless, the design team of Desiree Heiss and Ines Kaag to discuss clothes, life, collaboration, and art.
When drawing with the sewing machine I am producing a three-dimensional line. The top of the line is on the surface of the paper, while the bottom of the line (not identical to the top) is visible on the underside of the paper.
This year, our third, we have directed the gaze of our contributors more inwardly still and asked each to divulge author and title of five books remembered as having once been decisively most important, but of which our contributors could never ever bear to again read a page. This, no doubt, is to date and by far our most Introspective List.