JUNE 2017 | Books
On an outwardly pleasant day in early April of 2017, the author appears in profile through the glass panels of his front door. When the buzzer sounds, Paul Auster rises from his dining-room table to welcome me. I have arrived, on the dot, at 2 p.m. to discuss his teeming new novel of the 1960s 4 3 2 1. It is a bildungsroman with a speculative twist: four different lives lived in alternating sequence by the same young man.
by Ivan Talijancic
NOV 2018 | Dance
It is a brisk late-August day in Berlin and I am at the Radialsystem V, the former water purification plant flanking the banks of the river Spree, which the choreographer Sasha Waltz and her longtime collaborator and partner, the dramaturg Jochen Sandig, converted into a multipurpose art venue a decade or so ago. Though I have visited the space on numerous occasions in the past, the spacious lobby, as well as the expansive performance hall of Radialsystem, seems almost unrecognizable, having been stripped of the usual vestiges of a performance venue. I am here to see EXODOS, a new immersive dance-theater work by Waltz, and to speak with her about her company’s upcoming US premiere of Kreatur, which lands at the Brooklyn Academy of Music in early November as part of the Next Wave Festival.