by Michael Joshua Rowin
FEB 2017 | Film
An old chestnut—no less true for being old, nor a chestnut—has it that an effective political cinema cannot merely represent radical political movements, issues, or events, but must render them through forms that are themselves radically political.
by Alexander S. C. Rower
DEC 18-JAN 19 | Critics Page
When Americans woke up to art in the 1960s, Calder was largely seen as a contemporary of Warhol and Lichtenstein. Very few people realized that he was born in 1898, or that he emerged in 1920s Paris, where he redefined art history through performance, action, and chance. Calder was an essential figure in the international avant-garde, an intellectual luminary who stood alongside Duchamp, Mondrian, and Picasso as one of the greats. His place in this narrative has been a focus of the Calder Foundation for the past thirty years. It’s important that his work be understood and engaged within this context—and more importantly, with close attention paid to his original intent.