by Brian P. Kelly
SEPT 2016 | Books
If traditional travelogues are obsessed with the history of people and places, or a complex portrait of the writer’s experience of a new environment, Neuman’s book is an adamant rejection of that more familiar mold. Instead of history, he focuses on the present; instead of reacting to new locales, he relates more quotidian endeavors—surfing a hotel’s TV options, filling out customs forms; instead of offering readers the chance to feast on his journeys, he presents them as a collection of enjoyable but ultimately unsatisfying nomadic amuse-bouches.
by Phillip Griffith
NOV 2018 | ArtSeen
After the death of the artist and poet Joe Brainard in 1994, his friend, the poet John Ashbery, recovered an envelope of paper cuttings Brainard had collected for use in collages. The envelope was a posthumous message for Ashbery and reminded him of the collages he had made while spending time with Brainard and the poet James Schuyler in the 1970s. For Ashbery, who died in September 2017, the envelope was a fond reminder of his friend and signaled a return to his work as a collagist.