by Osman Can Yerebakan
FEB 2018 | ArtSeen
Spearheading Richard Hawkins’s fifth exhibition at Greene Naftali is a painting titled, And then come the dawn (2017), which took Hawkins over a decade to complete. In an email conversation, the L.A.-based artist expressed his restored interest in this painting after a decade with the current socio-political climate. Hawkins re-imagined the story of a worn-out, gay, white liberal at a hotel room in Thailand where the protagonist “takes his indulgence a step too irrevocably far.
by Phillip Griffith
NOV 2018 | ArtSeen
After the death of the artist and poet Joe Brainard in 1994, his friend, the poet John Ashbery, recovered an envelope of paper cuttings Brainard had collected for use in collages. The envelope was a posthumous message for Ashbery and reminded him of the collages he had made while spending time with Brainard and the poet James Schuyler in the 1970s. For Ashbery, who died in September 2017, the envelope was a fond reminder of his friend and signaled a return to his work as a collagist.