Poetry
Evel Knievel

Contributor
Jamey JonesJAMEY JONES is from Pensacola, FL where he has long been an active proponent of all things poetry. His works include the book Blue Rain Morning (Farfalla, 2011), and the chapbooks the notebook troubled the sleep door and Twelve Windows, both from brown boke Press.
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Hell is a Place on Earth. Heaven is a Place in Your Head.
By Kathleen LangjahrMAY 2020 | ArtSeen
As COVID-19 continues to proliferate throughout New York City, forcing all art institutions to remain closed to the public, museums and galleries have been scrambling to convert their programming to an online-only format. A standout example of this adaptation is P.P.O.W.s current presentation, Hell is a Place on Earth. Heaven is a Place in Your Head.

Joseph Holtzman: Six Recent Paintings
By Gilles Heno-CoeDEC 20-JAN 21 | ArtSeen
Holtzman finds an excellent collaborator in Sam Parker, whose refreshingly visionary approach shares the painters energy and tongue-in-cheek humor, qualities that are often lacking in the woefully conventional and overly-serious New York art scene. Holtzmans first solo exhibition on the East Coast, much like his installation at the Hammer Museum in 2014, features an all-encompassing environment of color and pattern, visually situated somewhere between Biedermeier, Arts and Crafts, De Stijl, and 1980s Pattern and Decoration. This campy atmosphere of celebratory excess serves as the perfect backdrop for his recent oil on marble paintings.
Marble benches, Anatolian weavers, and Madonnas: Shannon Bool and Daisy Desrosiers
MAY 2020 | Critics Page
If you work in a really involved way with materials, you inhabit this realm of translation, in a sense, because the preoccupation with material systems stays within these specific languages. You didn’t pick a broad topic that you could put things into. You picked one that has to become a process.
SQUEAK CARNWATH with Amanda Gluibizzi
OCT 2020 | Critics Page
Carnwaths large-scale paintings feature her personal vocabulary of faces, vases, candlesticks, sinking ships, blocks of color, and constellations, while placing written messages squarely in front of her viewers. Notably, Carnwath also scrawls the titles of her paintings down the left and right edges of her canvases which she always displays unframed, something I wanted to learn more about.