Poetry
Evel Knievel
Contributor
Jamey JonesJAMEY JONES is from Pensacola, FL where he has long been an active proponent of all things poetry. His works include the book Blue Rain Morning (Farfalla, 2011), and the chapbooks the notebook troubled the sleep door and Twelve Windows, both from brown boke Press.
RECOMMENDED ARTICLES
Hell is a Place on Earth. Heaven is a Place in Your Head.
By Kathleen LangjahrMAY 2020 | ArtSeen
As COVID-19 continues to proliferate throughout New York City, forcing all art institutions to remain closed to the public, museums and galleries have been scrambling to convert their programming to an online-only format. A standout example of this adaptation is P.P.O.W.’s current presentation, Hell is a Place on Earth. Heaven is a Place in Your Head.
Brother and Sister
By Alix HawleySEPT 2020 | Fiction
The mother told the boy that after his birth, names flew through her head: Typhus, Suffering, Beast. But she told Adam to name his child, like he’d named the first one, the girl, Ellie. He decided on Matthew, which seemed unlikely to offend.
Marble benches, Anatolian weavers, and Madonnas: Shannon Bool and Daisy Desrosiers
MAY 2020 | Critics Page
If you work in a really involved way with materials, you inhabit this realm of translation, in a sense, because the preoccupation with material systems stays within these specific languages. You didn’t pick a broad topic that you could put things into. You picked one that has to become a process.
ANNE BOGART with Tara Ahmadinejad
JUL-AUG 2020 | Theater
In mid-May, I began a correspondence with American theater icon, Anne Bogart, director, writer, educator, and founder of SITI Company whose decades-long career has influenced generations of theater practitioners. Anne was my mentor in graduate school, and while her counsel often replays in my head, I hadn't regularly kept in touch with her. Anne’s ideas about theater and process are both drawn from life, and offer philosophical frameworks for approaching life. Her teachings on the interplay between leading and following, stuckness and unstuckness, and control and surrender can as much be applied to directing and performing theater as they can to any challenging situation one might encounter.
