Dance
NEW ARCHITECTURE FOR NOT-SO-NEW BALLETS
By Evan NamerowSeven new ballets. Four commissioned scores. One renowned architect. This is what New York City Ballet offered over the course of its eight-week spring season, called Architecture of Dance.
AESTHETICS OF DENIAL
By L.J. SunshineSince you’re reading this article, chances are you’re an experienced, contemporary dance-goer and don’t need me to tell you that a piece of choreography can look like anything but. Nonetheless, there’s strange and there’s strange-er. Donna Uchizono’s longing two (June 1-5) belongs in the second category.
JUNE 3, 2010: DEAR SHERRY
By Christine HouYou are the stuff girls love. Southern hospitality, pink lattes, candies, hearts, and balloons. I saw you last night along with my friends at Triple Canopy at 177 Livingston: Sherry tries on Cinderella.
TOO MUCH LEWIS
By Patricia MilderStrange Action, Isabel Lewis’s first solo work, is an intentionally uneven, highly personal examination of the act of performing. The emphasis is on “process,” a choice buzzword for institutionalized performance. How, then, can a show riding on this thoroughly worn out idea, distinguish itself? Hint: the answer doesn’t lie in layered, meaning-seeking, pop-cultural references.
AND YOU THOUGHT GRAHAM WAS OLD-SCHOOL
By Siobhan BurkeDancers sharing the stage with actors; movement mingling with text; passages from Walt Whitman and Sinclair Lewis juxtaposed with quotes from Bitch Ph.D. (a popular feminist blog) and references to Twitter. Irony. Interdisciplinarity.
