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While back in New York to teach a workshop and perform at the Baryshnikov Arts Center, Simone Forti invited Editor-at-Large Claudia La Rocco to her former SoHo loft to talk about her life as a choreographer, dancer and writer.
A model of survival in good times and bad, the Performance Mix Festival returns in its 24th incarnation to New York this April, despite a recession thats meant cutbacks this year of about $7000.
Energy, we are told, equals mass times the speed of light squared. Watching Backhausdance at Joyce SoHo in March, the audience encountered a convincing demonstration of this formula, with emphasis on energy and speed.
On the Saturday afternoon in March of 70 mile an hour winds and trees crashing into houses, the line of those aspiring to participate in Marina Abramovićs 700+ hour MoMA performance piece, The Artist is Present, hadnt budged for five hours.
Watching Big Eater is an immersive experience, although sometimes spoofs on an academic panel discussion emphasize the gulf between audience and performer.
Simulating a claustrophobic media cave, seven screens are suspended from the ceiling. There are three dancers, one musician, and a singing choreographer.