Poetry
from, I thought you said it was sound
Contributor
Stephanie GrayPoet-filmmaker STEPHANIE GRAY is the author of five collections of poetry including Shorthand and Electric Language Stars (Portable Press at Yo-Yo Labs, 2015) and A Country Road Going Back in Your Direction (Argos Books, 2015). A current LMCC resident in writing, she had a retrospective of her films at Anthology Film Archives in 2015.
RECOMMENDED ARTICLES
Site and Sound: The Films of Ha Gil-jong
By Jesse CummingDEC 19-JAN 20 | Film
Ha’s work always embodies a prickly relationship to the state and assumed social conventions. (It’s worth noting Ha’s lifelong commitment to such agitation, including his participation in the anti-government protests of the 1960 April Revolution, before his turn to filmmaking.) If the filmmaker’s oeuvre remains thrilling and unique 40 years later it arguably hinges upon such dissidence, complimented by a style which uses western points of reference—particularly European arthouse ones—in service of a distinctly domestic cinema responding to questions concerning South Korean society, politics, and cultural policy.
In Conversation: SUSAN SHAPIRO with Stephanie Siu
By Stephanie SiuDEC 20-JAN 21 | Books
Can you forgive someone who isn’t sorry? Should you? That’s what haunted popular New School writing professor Susan Shapiro following the perplexing betrayal of a trusted mentor after 15 years of friendship. In Shapiro’s candid, captivating new memoir, The Forgiveness Tour, she tries everything to move on: ghosting him, play-by-play analysis of their fights, even summoning a Yiddish curse for revenge. She stumbles on a “billion-dollar Forgiveness Industry touting the personal benefits of absolution,” but the skeptical journalist “fears it’s all bullshit.”
Judy Chicago: Los Angeles
By Olivia GauthierOCT 2019 | ArtSeen
What Judy Chicago: Los Angeles truly showcases is how Chicago grappled early on with her place in a male dominated discourse. We see the methods through which she challenged and defied normative conventions, working to define a practice that would push the dialogue of contemporary art forward in the direction of feminist interests.
MADDALENA GRANZIERA with Angela Brisotto, Victoria Stephanie Uzumyemezoglu, Sara Antoniolli and Olga Lepri
JUL-AUG 2020 | Art
If you ever find yourself hiking on and off trails in the mountains, or wandering around an industrially-shaped countryside landscape and looking for places that are not heavily trailed by human footsteps, then you might be able to spot Italian artist Maddalena Granziera at work. Explorative hikes are creatively and spiritually meaningful to the Veneto region-based emergent artist, whose painting and photographic artwork is imbued with surreal geographic references echoing cosmic allusions, her imagination, and a planet Earth untouched by human presence.
