Dance
Building a Body of Work: Charles Atlas and Merce Cunningham
By Mary Lisa BurnsHow did Merce Cunningham collaborate with artists? By now it’s the stuff of dance history legend: the composer might be told the length of the dance; the visual artist the number of dancers, perhaps, or that nothing could be hung from above.
A Full Moon to Mark the End: PINA BAUSCH
By Patricia MilderLush and lovely, with an expensive, over-the-top interactive set and all the long hair, high heels, and ill-fitting, floor-length gowns a person can take, Vollmond is everything we’ve come to expect from the late Pina Bausch.
ADVERTISEMENTS
