by Will Fenstermaker
JUL-AUG 2018 | ArtSeen
As an editor, I distrust superlatives, but here goes one that’s deserved: Aaron Fowler’s Donkey Days is the best solo gallery show I’ve seen in New York this year. Fowler’s assemblages are meticulous, intricate, and complexly layered, steeped with references and allusions—narrative, formal, and material—to art history, popular culture, and the artist’s own familial and personal experiences.
by William Corwin
MAY 2019 | ArtSeen
Three canvases hang as looming, watchful presences in New York-Centric, an exhibition at the Art Students League of New York curated by James Little: Al Lovings stolid New Hexagon (1996), Dan Christensens Jarrito, (1997) and Ed Clarks sensual and lugubrious X-form Untitled (Bastille Series) (1991).