Poetry
Entries from Not An Exit
Contributor
Bill BerksonBerkson's Portrait and Dream: New & Selected Poems appeared from Coffee House Press.
RECOMMENDED ARTICLES
RADICAL BODIES: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955—1972
By Kaitlyn A. KramerSEPT 2017 | ArtSeen
“Photographs really are experience captured,” writes Susan Sontag in On Photography. The camera’s appropriation of living moments, freezing them as images, “feels like knowledge—and, therefore, like power.” When still images are extracted, they are dissociated from their context and, over time, distill the events they represent.
Ottessa Moshfegh’s My Year of Rest and Relaxation
By Deena ElGenaidiDEC 18-JAN 19 | Books
Moshfegh’s novel follows a conventionally beautiful 26-year-old woman—tall, thin, blonde—who has no real need to work, living on the Upper East Side in the year 2000, surviving off her dead parents’ inheritance. She has all the privilege and benefits afforded to a young, wealthy, white woman in New York, but all she wants to do is sleep.
Exit Strategies: On Barbara Loden’s Wanda (1970)
By Anthony HawleySEPT 2019 | 1 by 1
An old station wagon with wooden-siding drives across a hilly, forested landscape, grim, grey skies overhead. Telephone wires string together sections of land. In the center of the shot, a lone roadside ice-cream shop, something like a Dairy Queen precursor.
Dream of Solentiname
By Madeline Murphy TurnerFEB 2018 | ArtSeen
Dream of Solentiname examines the subjective thoughts and images that emerged around the spiritual, artistic, and political community from which the exhibition takes its name.
