By Kaitlyn A. Kramer
SEPT 2017 | ArtSeen
“Photographs really are experience captured,” writes Susan Sontag in On Photography. The camera’s appropriation of living moments, freezing them as images, “feels like knowledge—and, therefore, like power.” When still images are extracted, they are dissociated from their context and, over time, distill the events they represent.
By Deena ElGenaidi
DEC 18-JAN 19 | Books
Moshfegh’s novel follows a conventionally beautiful 26-year-old woman—tall, thin, blonde—who has no real need to work, living on the Upper East Side in the year 2000, surviving off her dead parents’ inheritance. She has all the privilege and benefits afforded to a young, wealthy, white woman in New York, but all she wants to do is sleep.