By Joseph Masheck
OCT 2018 | 1 by 1
The Lemke House, built between 1932 – 33 for Karl and Martha Lemke, who had no children, on a pair of lots in the Berlin suburb of Hohenschönhausen (now Berlin-Lichtenberg), is modest. It’s the last house that Ludwig Mies van der Rohe built in Germany, before closing the Bauhaus, owing to Hitler, and moving to Chicago. Karl Lemke, who ran a graphic arts business that catered to the art world, was a friend of the architect. That this work entailed a great deal of thought on Mies’s part is attested to by a huge quantity of preliminary drawings, starting from much more ambitious ideas.3 The economy was taking its toll; yet something excellent was envisioned. Two significant features of the project do not seem acknowledged, however: the role of a woman designer, and the fact that the house, small as it is, is an extraordinary example of the influence on Mies of his most admired living philosopher, Romano Guardini.
By Will Whitney
DEC 17-JAN 18 | ArtSeen
The title of Nina Chanel Abney’s exhibition at Mary Boone, Safe House, caught my attention almost instantly. In such politically charged times, not making a statement is often a statement in itself.