On the Upper East Side, at the corner of 92nd and Lexington Avenue, lies a building steeped in dance history. Martha Graham, Jerome Robbins, Alvin Ailey, Katherine Dunham, and Doris Humphrey all performed, taught, or rehearsed there, and fittingly, their work was included in the 75th Anniversary Gala of the 92nd Street Y Harkness Dance Center.
The post-performance discussion of Serenade/The Proposition nervously circled around the question of how one can (and even whether one should) make dance about history.
On Tuesday, November 10th, Carey Ysais and Paulette Azizian put together their bi-annual homage to hip-hop dance in New York (which is often regarded as more raw and authentic than its Los Angeles doppelganger).
Dance originates from a primal place and is then is usually molded into or filtered through various codified forms. Butoh, though, does not mold, filter, or codify. It is raw existence.
When moving forward, it helps to consider where one has been. On the cusp of a new decade, in my new role as Dance Editor for the Brooklyn Rail, I revisited great dance writers thoughts on their professions.
She dances like a man, an audience member gushed about one of the tap stars in Jason Samuels Smiths Charlies Angels. Ive heard it said of women tappers before, but what, exactly, does it mean? (Not to mention, why is it a virtue?)
In mid-December, as part of the 2009 Next Wave Festival, BAM will showcase The Good Dancedakar/brooklyn, a collaboration between American Reggie Wilson and African Andréya Ouamba.
Traveling in Time, to the Pear Garden: HAN-TANG YUEFU ENSEMBLES THE FEAST OF HAN XIZAI AT THE JOYCE THEATER, November 3-8by David St.-Lascaux
Early in his epistolary romance The Sorrows of Young Werther, Goethe paints a scene in which the doomed, noble hero encounters a servant girl at a well. The year was 1774, a mere two centuries or so ago. But that bucolic, pre-industrial scene is as unimaginable to our modern minds as the day before e-mail.
Replay as Revivification: PARADES & CHANGES, REPLAYS AT DANCE THEATER WORKSHOP, PERFORMA 09, November 18th, 2009by Thom Donovan
When art historians eventually look back on the aughts, I think it will be said that the predominant art form of this decade was the reenactment, works that replay or redo previous works of art or cultural texts.
- PAST, PRESENT, AND FUTURE: A Celebration of Dance at the 92nd Street Y by Evan Namerow
- BILL T. JONES: Serenade/The Proposition by Dalia Ratnikas
- HIP-HOP CARNY: Teaching New Dancers Old Tricks by Joey Lico
- CAVE New York Butoh FestivalThe Butoh-Kan Phase October 23November 25, 2009 by Erika Eichelberger
- ONWARD TO 2010 by Mary Love Hodges
- A Man's World: CHARLIES ANGELS AT THE KITCHEN, October 22-24 by L.J. Sunshine
- Preview THE GOOD DANCEDAKAR/BROOKLYN AT BAM, December 16th-19th by Dalia Ratnikas
- Traveling in Time, to the Pear Garden: HAN-TANG YUEFU ENSEMBLES THE FEAST OF HAN XIZAI AT THE JOYCE THEATER, November 3-8 by David St.-Lascaux
- Replay as Revivification: PARADES & CHANGES, REPLAYS AT DANCE THEATER WORKSHOP, PERFORMA 09, November 18th, 2009 by Thom Donovan