Poetry
Unlike the Trees
Contributor
Frank SherlockFrank Sherlock is the author of Over Here (Factory School 2009) and the co-author of Ready-To-Eat Individual (Lavender Ink 2008) with Brett Evans. A collaboration with CA Conrad entitled The City Real & Imagined: Philadelphia Poems is was published by Factory School in January 2010.
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Those familiar with Tim Blake Nelson's work in Coen brothers films, the Watchmen series, or last year's Old Henry, will immediately understand that this novel's depictions of Hollywood machinations are of a higher caliber than those in any other literary work that's attempted to depict that world. City of Blows abounds in the economy and fluidity that accompanies true authority—seen in this description of a producer: “One of the biggest pricks in LA. But he gets his movies made. Directors rarely work for him twice.” What's less expected is Nelson’s investigation of the relationship between insecurity and toxicity, seen in Weinstein-esque predators but also applicable to masculinity at large. The psychological motivations and character examinations develop City of Blows from a roman à clef to a work far more universal.
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five
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Joe Elliot helped run a weekly reading series at Biblios Bookstore and then at the Zinc Bar in New York City for many years. He co-edited two chapbook series: A Musty Bone and Situations, and is the author of numerous chapbooks of his own, including: You Gotta Go In It's the Big Game, Poems to be Centered on Much Much Larger Pieces of Paper, 15 Clanking Radiators, 14 Knots, Reduced, Half Gross (a collaboration with artist John Koos), and Object Lesson (a collaboration with artist Rich O'Russa). Granary Books published If It Rained Here (a collaboration with artist Julie Harrison). His long poem, 101 Designs for the World Trade Center, was published by Faux Press as an e-book in 2003. Collections of his work include Opposable Thumb (subpress, 2006), Homework (Lunar Chandelier, 2010), and Idea for a B Movie (Free Scholars Press, 2016). For many years, Joe made a living as a letterpress printer. He now teaches English at Edward R. Murrow High School, and lives in Brooklyn.
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Unlike so many other exhibition monographs—which are often treated as something between a program guide and show souvenir—Motor City Underground presents detailed reproductions of Sinclair’s photographs, often blown up to full-page, alongside a wide variety of testimony. The range of dates and sources across which these statements are culled suggests years of research combing through a decade’s worth of underground missives—the type of ephemera that does not often make it into digital archives.
