By Thomas Heise
MARCH 2021 | Field Notes
In the spring of 2020, as the plague was sweeping the city, I found myself several times a day staring at an Instagram page dedicated to the furniture and household goods New Yorkers were tossing to the curb. Amongst the flotsam and jetsam were steamer trunks, benches of reclaimed lumber, numerous upright pianos, boxes upon boxes of books, a fainting couch with flower upholstery, glass vanities, bar stools, two Noguchi coffee tables, stand-up globes (I counted at least three) that hatched open at the meridian so you could store liquor inside, seemingly every fiddle leaf fig tree in the five boroughs, and other bric-a-brac and impedimenta and whatever else could be quickly discarded in a desperate effort to get out of New York as fast as possible.
By Celina Su and Sarah Riggs
JUL-AUG 2021 | Poetry
Sarah Riggs is a poet and filmmaker who draws and translates. Her most recent book is EAVESDROP (Chax, 2020).
Celina Su is the author of Landia (Belladonna*, 2018) and the Marilyn J. Gittell Chair in Urban Studies at the City University of New York.