79. (Brooklyn Navy Yard, Columbia County)

NOV 2021 | The Miraculous

An artist in his mid-30s living in New York and working in a 300-square-foot studio in the Brooklyn Navy Yard, finds himself consumed by frustration and anger. Although he is having exhibitions, after the shows close his paintings inevitably return to his studio, unsold. He’s not sure he wants to go on being an artist. A psychiatrist he consults helps him to understand that his anger revolves around his feelings about race, class and entitlement. Eventually the psychiatrist recommends that he begin working with a physical trainer, who has him start boxing and working out with a punching bag. Around the same time the artist, who is half-Choctaw and half-Cherokee, has been meeting with traditional Native American artists who tell him how the practices of dancing, drumming and beading have saved their lives. These experiences lead him to make a breakthrough in his work. Instead of focusing on painting, he begins to adorn Everlast vinyl punching bags like those he has been using at the boxing gym in extravagant styles inspired by Native American beadwork, pop culture, and everyday life. Along with beads, he adds tassels, sequins, brass and steel studs, yarn, chains, and sundry items. Some of the bags feature beaded texts quoting everyone from Simone de Beauvoir to Public Enemy.

Alice Neel: People Come First

By Ann C. Collins

MAY 2021 | ArtSeen

Curators Randall Griffey and Kelly Baum gather more than 100 of the artist’s paintings, watercolors and drawings in Alice Neel: People Come First, a retrospective of the 60 years Neel spent transposing New York and its citizens into work that bears witness to the struggles of everyday life in the city as much as it dignifies the individual.

four from field recordings of mind in morning

By Hank Lazer

JUL-AUG 2021 | Poetry

Hank Lazer’s poems in the Brooklyn Rail are from his forthcoming book field recordings of mind in morning (BlazeVOX), which will include links to musical improvisations with composer and banjo player Holland Hopson. Lazer has published thirty-one books of poetry, including COVID 19 SUTRAS (2020, Lavender Ink), Slowly Becoming Awake (N32) (2019, Dos Madres Press), Poems That Look Just Like Poems (2019, PURH – one volume in English, one in French), Evidence of Being Here: Beginning in Havana (N27), (2018, Negative Capability Press), and Thinking in Jewish (N20) (2017, Lavender Ink). In 2015, Lazer received Alabama’s most prestigious literary prize, the Harper Lee Award, for lifetime achievement in literature.

Back to the Future: On Eric Adams’s New York

By Andy Battle

SEPT 2022 | Field Notes

Eight months in, the contours of an Eric Adams mayoralty are gradually emerging. An Adamsite New York—“my city,” in the words of a mayor whose fondness for the first-person possessive has become a calling card—is one that appears poised to reverse even the limited departures from the playbook of the post-fiscal crisis era realized during the de Blasio administration.