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I wonder how many artists would readily admit that Peter Saul has influenced them. He certainly was the first to make high art out of strident and cartoony in-your-face images.
Paul Mogensen and Stephen Rosenthal share the new BLT space on the Bowery. The works on view were selected from earlier exhibitions, inviting re-evaluation in light of changing issues and a new architectural setting. I
on the occasion of viewing Pierre Bonnard: The Late Interiors, November 25April 12, 2009, Metropolitan Museum of Art.
Of the group of Color Field painters associated with the Washington Color School and Post-Painterly Abstractionthe latter term endowed by the critic Clement Greenberg in 1964the artist I know least about is Jack Bush.
Martin Kippenberger: The Problem Perspective is the first retrospective of this prolific and controversial German artist, the bulk of whose work was produced from 1977 until his death in 1997 at age 44.
If time permitted, I would have written an essay this month about the glorification of youth and cool by the art press, through the lens of the Younger Than Jesus show at the New Museum.
In stark counterpoint to the New Museums wryly titled Younger Than Jesus show featuring artists under 33 years old, Cheim & Read is exhibiting the Abstract Expressionist paintings of seventy-year-old Louise Fishman, an artist who has been dedicated exclusively to painting for over fifty years.
Even the word dazzling is not up to the job of describing the kaleidoscopic array of visual pleasures Mickalene Thomas offers in her first solo show at Lehmann Maupin Gallery.
Nicolas Carone, veteran artist of 1940s New York and still painting some sixty years on, presents new work at Washburn Gallery this month: eight fast, vigorous, and poised arrangements in gray and white and black acrylics.
The Generational: Younger Than Jesus sent me back to William Blake. In his Songs of Experience, he bids Youth of delight come hither, / And see the opening morn, / Image of truth new born. / Doubt is fled & clouds of reason, / Dark disputes & artful teazing. / Folly is an endless maze. (The Voice of the Ancient Bard).
One of the artists considered for the New Museums The Generational: Younger Than Jesus (all of the nominees are listed in the exhibitions telephone-book-thick supplemental compendium, Younger Than Jesus: Artist Directory), is Ishmael Randall Weeks, who was born in Cusco, Peru, in 1976.
In January, a major exhibition of art from the Wynn Kramarsky Collection, New York, New Drawings: 1946-2007, opened at the Museo de Arte Contemporáneo Esteban Vicente in Segovia, Spain.
It seems as if this spring is a moment for sculpture, and, in particular, women sculptors. Following a two-year refurbishment, the Whitechapel Gallery is back with two bold women; a stunning Isa Genzken survey and a yearlong commission by the Polish-born 2008 Turner Prize nominee, Goshka Macuga.
John Baldessari may have canonized the phrase, I will not make any more boring art, but it is his self-taught friend and contemporary, Richard Allen Morris, who lives out the infamous dictum.
Since I first saw them a few weeks ago at Björn Ressle Gallery, a series of unusual ink on photograph drawings have lingered in my mind.