by David Rhodes
NOV 2017 | ArtSeen
In a 2002 interview with Judith Stein, the curator of Deadeye Dick: Richard Bellamy and His Circle and author of the recent, definitive Richard Bellamy biography, Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art, Richard Tuttle said, “Dick was unbelievably sensitive, delicate and extremely refined. But he was strong—the strongest part of him was his belief in following his own way with art.”
by Steven Pestana
SEPT 2018 | ArtSeen
A buxom blonde nude with bright red lips plays joyously atop a white fluffy cloud, stars overhead. Beneath her cloud, crude blue lettering reads, “We are just complicated animals.” This neon sculpture, by Dan Attoe, casts a cool glow through a gallery that was once a farmhouse, highlighting the kind of tongue-in-cheek wit that animates much of Eric Fischl’s own work. In this multi-generational group exhibition, curated by Eric Fischl, representations of mankind’s most basic and everlasting instinct—the compulsion to copulate—waver from existential to carnal in a vein that is often ribbed with humor. While none of Fischl’s own work appears in the show, his taste is everywhere apparent.